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Certainly one of the most difficult, often neglected areas of art study is the correct rendering of heads, features, and faces. This volume, prepared by an expert in the field, is devoted exclusively to just that. With its clear, concise text, its almost 200 excellent illustrations, and its overall life-drawing approach, the book provides valuable guidelines on how best to portray faces, features, and heads. There is probably no better instructor to turn to than George B. Bridgman. He brings to the subject both his expertise as an artist and his fifty years' experience as lecturer and teacher at the Art Students League of New York. Throughout the book, he places as much emphasis on perspective and planes as on anatomy. In this way, you'll develop a more precise understanding of each feature, the head and face in general, the relationship between features, and the relationship between a specific feature and the face or head. Mr. Bridgman's consideration of the head includes such topics as the head at eye level and below eye level; planes of the head; and round and square forms. Four features--eye, nose, mouth, ear--are dealt with in detail. Sections on light and shade, comparative measurements, and principles of cube and oval construction further enhance the scope of the book. The finely executed drawings complement the textual material, illustrating all important concepts. Of special value is the author's inclusion of the work of famous portrait artists. Vermeer, Hals, Rembrandt, Reynolds, Louise Elisabeth LeBrun--these are the people who made portraiture a master art; and you'll be able to study, up close and at your leisure, the qualities that let their work achieve the status it did. Unabridged republication of the original 1932 edition.
En el libro de "Anatomía Constructiva", Bridgman desarrolla y enseña su método para el dibujo de la figura humana a partir del uso de "cajas".El ojo percibe los contornos, los planos y los volúmenes. Bridgman argumenta que en el dibujo la línea es lo primero. Pero antes que el dibujo, precede una construcción mental donde el concepto de volumen viene primero, luego el plano y finalmente la línea. Las diferentes partes del cuerpo pueden abstraerse en simples formas geométricas. Para entender mejor los volúmenes, el movimiento y las luces, Bridgman recomienda utilizar formas cúbicas o de cuña, en vez de formas redondeadas o cilíndricas. En las partes articuladas cada una acopla con la siguiente a manera de ganchos, cuñas o engranajes. Quiere aprender a dibujar correctamente la figura humana? Este libro te da todos los elementos básicos para lograr una construcción sólida, a través de la comprensión de los volúmenes del cuerpo y la geometrización de la anatomía. La simple acción de copiar las bellas ilustraciones de este libro lo convertirán en un mejor dibujante. Anatomía Constructiva es un libro para todo aquel que quiera mejorar su dibujo de anatomía y una imprescindible referencia para profesores y dibujantes profesionales. Contiene cientos de dibujos que cubren la estructura ósea y muscular: cabeza, manos, brazos, torso y piernas analizadas en detalle. Un enfoque directo y efectivo, tratado con simpleza y entusiasmo.
"Constructive Anatomy" is George B. Bridgman's excellent book of anatomical drawing instruction. Ideal for beginning to intermediate artists, "Constructive Anatomy" begins with instruction on drawing hands and works its way through the human body giving detailed instruction on how to draw realistic human figures. Bridgman's drawing methodology builds upon the analysis of human anatomy, how the skeleton fits together, and how muscle sits upon the skeleton to create the human form. Once an artist comprehends the anatomical construction of the human body great confidence can be gained in realistically depicting the human body. With consideration to three dimensional perspective and how figures look as they move through space "Constructive Anatomy" provides a foundation for life drawing that the aspiring artist can build upon throughout their artistic life.
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