Bøker av GEORGE BERNARD SHAW

Pigmalión, de George Bernard Shaw, es un clásico atemporal que explora los temas de la clase social, la identidad y la transformación. La obra gira en torno al profesor Henry Higgins, experto en fonética, que acepta el reto de transformar a Eliza Doolittle, una pobre florista con un fuerte acento cockney, en una refinada dama de habla impecable. A medida que Eliza se somete a este cambio lingüístico y social, no sólo cambia su apariencia externa, sino que también se enfrenta a cuestiones de autoestima y expectativas sociales.La obra satiriza hábilmente las rígidas estructuras de clase de la Inglaterra eduardiana y cuestiona las nociones de superioridad inherente basadas en el habla y los modales. Los ingeniosos diálogos de Shaw y sus agudas observaciones hacen de Pigmalión una exploración entretenida y sugerente de las complejidades del comportamiento humano y las normas sociales.Esta edición presenta el texto original de Shaw -que sirvió de base para el musical Mi bella dama- y ofrece a los lectores una ventana al panorama social de principios del siglo XX, al tiempo que ofrece una visión intemporal de la dinámica de poder del lenguaje y las expectativas sociales.

Pigmalión, de George Bernard Shaw, es un clásico atemporal que explora los temas de la clase social, la identidad y la transformación. La obra gira en torno al profesor Henry Higgins, experto en fonética, que acepta el reto de transformar a Eliza Doolittle, una pobre florista con un fuerte acento cockney, en una refinada dama de habla impecable. A medida que Eliza se somete a este cambio lingüístico y social, no sólo cambia su apariencia externa, sino que también se enfrenta a cuestiones de autoestima y expectativas sociales.La obra satiriza hábilmente las rígidas estructuras de clase de la Inglaterra eduardiana y cuestiona las nociones de superioridad inherente basadas en el habla y los modales. Los ingeniosos diálogos de Shaw y sus agudas observaciones hacen de Pigmalión una exploración entretenida y sugerente de las complejidades del comportamiento humano y las normas sociales.Esta edición presenta el texto original de Shaw -que sirvió de base para el musical Mi bella dama- y ofrece a los lectores una ventana al panorama social de principios del siglo XX, al tiempo que ofrece una visión intemporal de la dinámica de poder del lenguaje y las expectativas sociales.

Candida, a comedy by playwright George Bernard Shaw, was written in 1894 and first published in 1898, as part of his Plays Pleasant. The central characters are clergyman James Morell, his wife Candida and a youthful poet, Eugene Marchbanks, who tries to win Candida's affections. The play questions Victorian notions of love and marriage, asking what a woman really desires from her husband. The cleric is a Christian Socialist, allowing Shaw-himself a Fabian Socialist-to weave political issues, current at the time, into the story.

Ce livre classique a été initialement publié il y a des décennies sous le titre " O'Flaherty V. C. . Il a maintenant été traduit par Writat en langue française pour leurs lecteurs francophones. Chez Writat, nous sommes passionnés par la préservation du patrimoine littéraire du passé. Nous avons traduit ce livre en français afin que les générations présentes et futures puissent le lire et le conserver.

Dieses klassische Buch wurde ursprünglich vor Jahrzehnten veröffentlicht als O'Flaherty V. C. . Es wurde jetzt von Writat für seine deutschsprachigen Leser ins Deutsche übersetzt. Bei Writat liegt uns die Bewahrung des literarischen Erbes der Vergangenheit sehr am Herzen. Wir haben dieses Buch ins Deutsche übersetzt, damit es heutige und zukünftige Generationen lesen und bewahren können.

In the middle of the 1885 Serbo-Bulgarian war, an enemy soldier escapes a cavalry charge by climbing up a drainpipe into Raina Petkoff¿s room. Raina is the daughter of one Major and engaged to another, but she chooses to save the soldier¿s life by concealing him.Arms and the Man, named after the opening lines of Virgil¿s The Aeneid, is a play that humorously deals with the hypocrisy of humanity and the stupidity of war. It was among George Bernard Shaw¿s first commercial successes, and was included in a collection of plays he referred to as Plays Pleasant, along with Candida, You Never Can Tell, and The Man of Destiny. Having coined the term ¿chocolate soldier,¿ the play has been staged multiple times in London¿s West End and on Broadway, and has been adapted into operetta and film.

Como se verá más adelante, Pigmalión necesita, no un prefacio, sino un apéndice, que he puesto en su debido lugar. Los ingleses no tienen respeto a su idioma y no quieren enseñar a sus hijos a hablarlo. Lo pronuncian tan abominablemente que nadie puede aprender, por sí solo, a imitar sus sonidos. Es imposible que un inglés abra la boca sin hacerse odiar y despreciar por otro inglés. El alemán o el español suena claro para oídos extranjeros; el inglés no suena claro ni para oídos ingleses. El reformador que hoy le haría falta a Inglaterra es un enérgico y entusiástico conocedor de la fonética. Por esta razón, el protagonista de mi obra es el tal conocedor. Entusiastas por el estilo han existido en los tiempos pasados, pero clamaban en el desierto.

Meticulously selected by Simon Mundy, the Wit and Acid series collects the sharpest lines from the Shaw's oeuvre in small neat volumes, allowing the reader to sample some of the very best barbs and one-liners the twentieth century has to offer, and this, the second volume, covers lines from the great writer's works published after 1911.

"The difference between a lady and a flower girl is not how she behaves, but how she's treated."- George Bernard Shaw, Pygmalion"What is life but a series of inspired follies ? The difficulty is to find them to do. Never lose a chance : it doesn't come every day."- George Bernard Shaw, Pygmalion"The greatest British dramatist since Shakespeare."- The GuardianA chance meeting between Henry Higgins, a professor of phonetics, and Cockney flower seller Eliza Doolittle leads to a bet that he can teach her how to speak proper English. While Higgins undertakes an effort to train Liza out of her Cockney accent to prove that it is one's manner of speaking that determines one's opportunities, Liza's refreshing candor and generosity of spirit effect a change in Higgins. Beguiling, relatable, and engaging, Pygmalion is an uproariously funny and ultimately touching tale of mutual transformation. All the while, beneath its irresistible charm, it offers a scathing critique of class, entitlement, and social prejudice.Ever since its wildly popular first production in 1913, Pygmalion has amused and entertained audiences the world over and has become one of the most adapted plays of all time. In 1938 Shaw provided the screenplay for a filmed version of Pygmalion for which he received an Academy Award.

One of his most important plays and one of the most renowned comedies, George Bernard Shaw'sArms and the Man talks about the 1885 Serbo-Bulgarian War. The story revolves around the incident of a Swiss soldier fighting in the Serbian army who bursts into a young Bulgarian woman's bedroom and begs her to hide him. A crafted combination of wit and humour, this classic is an epitome of a satire on the typical values about war, morality, love and class.

A witty retelling of the classic tale of a sculptor falling in love with his flawless creation, Pygmalion is a subtle attack on the British class system while highlighting Shaw's feminist ideology.Professor Higgins asserts to his friend, Colonel Pickering, that he can disguise a regular flower girl as a duchess just by teaching her the mannerisms and speech of the upper class society. In the course of the flower girl's 'upgradation,' she transforms into a beautiful and accomplished lady. To Higgins, however, she remains a mere successful experiment leaving her out of both the worlds: the one she stepped out of and the one she never felt a part of.

Pygmalion, a romance play in five acts, is written by George Bernard Shaw and named after the Greek mythological figure. In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. It is considered as a humane comedy about love and the English class system. Eliza Doolittle, fictional character, a flower girl who is transformed into a woman of poise and polish by Shaw in this play. According to playwright, character of Professor Henry Higgins was inspired by several British professors of phonetics.The last scene in Act V ends with another confrontation between Higgins and Eliza. Higgins asks if Eliza is satisfied with the revenge she has brought thus far and if she will now come back, but she refuses. Higgins defends himself from Eliza's earlier accusation by arguing that he treats everyone the same. Pygmalion was first produced in German in 1913 in Vienna. It was later on performed in England in 1914.

Arms and the Man is a comedy by George Bernard Shaw, whose title comes from the opening words of Virgil's Aeneid, in Latin: Arma virumque cano. The play discusses how war is made, how it is fought, and how parties sue for peace at the close of it. Indeed, the play's title is a direct quote from Virgil's Aeneid, the Roman epic that glorifies war. George Bernard Shaw's three-act comedy, Arms and the Man, follows Raina Petkoff as she learns the reality of the world around her. Set during the Serbo-Bulgarian War of 1885, Shaw's play takes a critical look at the romanticizing of love and war, the challenges of self-reflections, and the gray world of absolute truth.

As suggested by the reference to Nietzsche's "Übermensch" in the title of the play, George Bernard Shaw intended Man and Superman to be not only a light romantic comedy but also a deeply philosophical work. In this highly entertaining play, he lays out his perspective on life and the cosmos with unsurpassable wit and verve. Upon the death of her father, Ann Whitefield is left in the care of two guardians, Roebuck Ramsden and John Tanner. Tanner, author of The Revolutionist's Handbook and Pocket Companion, becomes the reluctant target of Ann's affections and marital ambitions. In the courtship that ensues, Ann's charm and sheer force of life are pitted against his protestations of disinterest and dedication to anarchy. This Warbler Classics edition presents the complete unabridged play, including the long third act, "Don Juan in Hell," along with The Revolutionist's Handbook and Pocket Companion, which is published with the play as an appendix as Shaw intended, and an extensive biographical timeline.

A chance meeting between Henry Higgins, a professor of phonetics, and Cockney flower seller Eliza Doolittle leads to a bet that he can teach her how to speak proper English. While Higgins undertakes an effort to train Liza out of her Cockney accent to prove that it is one's manner of speaking that determines one's opportunities, Liza's refreshing candor and generosity of spirit effect a change in Higgins. Beguiling, relatable, and engaging, Pygmalion is an uproariously funny and ultimately touching tale of mutual transformation. All the while, beneath its irresistible charm, it offers a scathing critique of class, entitlement, and social prejudice. Ever since its wildly popular first production in 1913, Pygmalion has amused and entertained audiences the world over and has become one of the most adapted plays of all time. In 1938 Shaw provided the screenplay for a filmed version of Pygmalion for which he received an Academy Award. In 1956 Pygmalion was adapted into a musical entitled My Fair Lady starring Rex Harrison as Higgins and Julie Andrews as Eliza. The 1964 filmed version starred Audrey Hepburn as Eliza and Rex Harrison as Higgins. This Warbler Classics edition includes an extensive biographical timeline.

At the most wretched hour between a black night and a wintry morning in the year 1777, Mrs. Dudgeon, of New Hampshire, is sitting up in the kitchen and general dwelling room of her farm house on the outskirts of the town of Websterbridge. She is not a prepossessing woman. No woman looks her best after sitting up all night; and Mrs. Dudgeon's face, even at its best, is grimly trenched by the channels into which the barren forms and observances of a dead Puritanism can pen a bitter temper and a fierce pride. She is an elderly matron who has worked hard and got nothing by it except dominion and detestation in her sordid home, and an unquestioned reputation for piety and respectability among her neighbors, to whom drink and debauchery are still so much more tempting than religion and rectitude, that they conceive goodness simply as self-denial. This conception is easily extended to others - denial, and finally generalized as covering anything disagreeable. So Mrs. Dudgeon, being exceedingly disagreeable, is held to be excee-dingly good. Short of flat felony, she enjoys complete license except for amiable weaknesses of any sort, and is consequently, without knowing it, the most licentious woman in the parish on the strength of never having broken the seventh commandment or missed a Sunday at the Presbyterian church.

Pygmalion's audiences in 1914 were both enthralled and scandalized by it. In addition to being a razor-sharp critique of the British class system and a declaration of Shaw's feminist beliefs, this fantastically funny retelling of the traditional story of the sculptor who falls in love with his ideal female statue. My Fair Lady, the musical version of one of Bernard Shaw's most well-known plays ''Pygmalion'', was a great sensation both on Broadway and in London and New York. An updated and extensively revised version of the Pygmalion and Galatea myth from ancient Greece, the 20th-century fable pokes fun at the antiquated British class system. In Shaw's skillful adaptation, Professor Henry Higgins, a linguist, accepts a bet that he can transform a clumsy cockney flower seller into an educated young woman by merely teaching her better speech and manners. While convincing society that his construct is a mysterious royal figure, the professor also falls in love with his attractive invention. Pygmalion, one of the most well-known comedies in the English language, blends Shaw's witty dialogue and great playwriting skills with the alluring idea of the developing butterfly. It continues to be regularly performed and forms the basis of college theater programs.

Man and Superman by George Bernard Shaw was written in 1903 as a four act drama, responding to those who had questioned Shaw as to why he had never written a play based on the Don Juan theme. Man and Superman opened at The Royal Court Theatre in London on 23 May 1905 without the performance of the 3rd Act. A part of the act, Don Juan in Hell (Act 3, Scene 2), was performed when the drama was staged on June 4, 1907 at the Royal Court. The play was not produced in its entirety until 1915 by the Travelling Repertory Company at the Lyceum Theatre, Edinburgh.The long third act of the play is often cut. Don Juan in Hell consists of a philosophical debate between Don Juan (played by the same actor who plays Jack Tanner), and the Devil, with Doña Ana (Ann) and the Statue of Don Gonzalo, Ana's father (Roebuck Ramsden, an aged acquaintance of Tanner's and Ann's Guardian) looking on. Don Juan in Hell is often performed separately as a play in its own right, most famously in the 50's in a concert version with Charles Boyer as Don Juan, Charles Laughton as the Devil, Cedric Hardwicke as the Commander, and Agnes Moorehead as Doña Ana. This version was also released as a spoken word album on LP, but has yet to appear on CD. However, the complete performance recording is now available at various sites on the Internet.Although Man and Superman can be performed as a light comedy of manners Shaw intended the drama to be something much deeper, as suggested by the title. This title comes from Friedrich Nietzsche's philosophical ideas about the "Übermensch" ("Superman"). The plot centers on John Tanner, author of "The Revolutionist's Handbook and Pocket Companion," which is published with the play as a 58-page appendix. Tanner is a confirmed bachelor despite the pursuits of Ann Whitefield and her persistent efforts to make him marry her. Ann is referred to as "the Life Force" and represents Shaw's view that in every culture, it is the women who force the men to marry them rather than the men who take the initiative.