Bøker av George Guida

The year is 1950. A brutal racist attack drives Alfie Bagliato's family from their small town to New York City, where, at sixteen, Alfie dreams of escaping his Italian American enclave through a career in music and a romance with his distant cousin, Adeline. Soon enough, disappointment and frustration lead Alfie to join the military, to follow Adeline to San Francisco, and then to become a New York City cop, whose clash with protestors during the 1968 Columbia University student uprising nearly kills him, forcing him to confront his inherited bigotry and fear, as he wrestles with his lingering love for Adeline and need to find a new life.

Poetry. Goerge Guida's first collection of poems, LOW ITALIAN, shows that he ..".is a comic genius who is writing some of the funniest, most successfully satiric poems about Italian American behavior and culture, and by extension, ethnicity in general. His work has the self-assurance of a master: his voice can be assertive, ironic, self-reflexive, harlequinesque, self-depricating, and noble, all the time remaining spontaneous, unified, and faithful to its own unique vision"--John Paul Russo, Co-Editor of the ITALIAN AMERICANA.

Fiction. "With deadpan humor, THE POPE STORIES takes on Catholicism, family dynamics, personal paranoia, and the best and worst of our troubled times--a book filled with subtle insights and clever turns of phrase."--Brad Barkley, author of Money, Love and Alison's Automotive Repair Manual

Poetry. Italian American Studies. "Imagine Jonathan Swift with an Italian American sensibility--that's George Guida, a true original with the capacity to be hilarious, surreal and rueful, sometimes all at once. Whether he's traveling abroad or in Florida ('panhandle with mermaids... pray to the immigrants' pink grapefruit god'), casting his eye on suburban life or satirizing the food-and-gangster obsessions of fellow Italian Americans, no detail escapes his penetrating gaze. In 'The Sleeping Gulf,' you'll find humor's brooding underside and glints of light even in life's 'savage wood.'"--Maria Terrone, Author of EYE TO EYE

Literary Nonfiction. George Guida's "Spectacles of Themselves" is a brilliant survey that reflects the workings of a subtle mind with a keen eye for the minutiae of expression in a charged field. He explains the dynamics of many levels of linguistic interference, and he shows how writers use style to create characters for themselves. He is able to compare fruitfully the manners of very different essayists and writers in order to shed light on the varieties and possibilities of expression available to writers who have relations with more than one language and culture."-- Robert Viscusi, author of Buried Caesars and Other Stories of Italian American Writing