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  • - Seven Citadels
    av Geraldine Harris
    195,-

    In the third part of `Seven Citadels', Prince Kerish, his half-brother Forollkin, his cousin Gwerath and the enigmatic Gidjabolgo, have escaped from the nomads and reached the corrupt Queendom of Seld. After battling the terrible creatures which guard the fourth citadel, worse dangers await Kerish in the ghostly kingdom of the tormented fifth sorcerer. In the brothers' homeland, Galkis, traitors are plotting to seize the throne and the barbarians have invaded. The quest for the legendary Savior seems more urgent than ever, but the eccentric sixth sorcerer makes the companions rethink their destinies. `Seven Citadels' This acclaimed quartet, set in the exotic world of Zindar, tells the story of Kerish and Forollkin, two very different brothers sent on an epic journey to save their country. Forollkin is a formidable warrior but ultimately the success of their quest will depend on Kerish's powers of insight and persuasion. As they encounter strange new cultures and confront seven immortal sorcerers, the brothers learn to question everything they thought they knew. Danger, death and love will reshape the future they are fighting for. The unique Speaking Volumes edition is the first to print the author's preferred text. It is also the first English language edition to include the vital epilogue to `The Seventh Gate', which continues the story of Kerish and Forollkin.

  • av Geraldine Harris
    190,-

  • - Television drama and the politics and aesthetics of identity
    av Geraldine Harris
    294,-

    Beyond Representation poses the question as to whether over the last thirty years there have been signs of 'progress'/'progressiveness' in the representation of 'marginalised' or subaltern identity categories, within television drama in Britain and the US.

  • - Contemporary (Women) Practitioners
    av Elaine Aston, Geraldine Harris & B. Reynolds
    568 - 728,-

    Drawing on hands-on experience from workshops and interviews, this innovative book explores the work of eight gender aware theatre and performance artists and companies. The authors offer rare insights into the processes as well as the practice of these artists and employ an 'inside', practical approach to understanding their ground-breaking work

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