Bøker av Germano Celant

Louise Bourgeois, who has produced art since the 1930s, began in the 1990s to use her clothes and the clothes of her loved ones as components in her sculptures and drawings. This title collects this set of images in its entirety.

The American artist's sophisticated, darkly humorous works get their first major exhibition in the Middle East, curated by Germano Celant.

Christiane Löhr schafft einen einzigartigen skulpturalen und installativen Kosmos mit Materialien aus der Natur. Organische Elemente wie Flugsamen, Pflanzenstängel, Kletten, Baumblüten, Pferde- und Hundehaar nutzt sie als Konstruktionsmaterial für ihr organisch-abstraktes Formenrepertoire. Auf überraschende Weise transformiert sie die vergänglichen Materialien in präzise konstruierte, zarte Skulpturen, mal filigran, mal raumgreifend. Passend zu der groß angelegten Überblicksausstellung lässt sich der Katalog als eine Art Anthologie verstehen: Neben aktuellen Texten von Julia Wallner, Jutta Mattern, Astrid von Asten und Tiziano Scarpa vereint er Essays diverser Autor*innen zum Werk der Künstlerin aus den vergangenen Jahrzehnten. Ergänzt wird er durch In-Situ-Fotos der Skulpturen im lichtdurchfluteten Bau des Arp Museums Bahnhof Rolandseck von Richard Meier.CHRISTIANE LÖHR (*1965, Wiesbaden), die in Köln und in Prato in der Toskana arbeitet, ist eine der wichtigsten Stimmen im aktuellen Diskurs um neue, zeitbezogene Ansätze in der Skulptur. Ihre Werke sind weltweit zu sehen, u.a. war sie Teilnehmerin der von Harald Szeemann kuratierten 49. Biennale di Venezia. Einzelausstellungen wurden ihr in der Panza Collection, Varese, im Kunsthaus Baselland, im Skulpturenpark Waldfrieden, Wuppertal sowie im Haus am Waldsee, Berlin gewidmet.

This book, which Germano Celant had been working on for years, is published posthumously and represents the professional and spiritual testament of the curator, known and respected internationally. Text in English and Italian.

The reissue of a historical exhibition catalogue and a new interview retrace important art relations between Italy and America after World War II

The horse has been represented in the history of art by almost every culture in every time period. In 1969, Jannis Kounellis (member of the Italian art movement Arte Povera) brought twelve living horses inside a gallery in Rome, creating a very reinterpreted image of the horse in an art context. Lara Nickel¿s homage is comprised of twelve life-size, realistic paintings of horses, positioned on the ground and installed perpendicularly to the wall. Presented in this non-traditional way, the images of horses appear to be standing in the room, making the architecture itself the setting of the paintings. Nickel¿s 12 Horses ¿ Homage to Jannis Kounellis uses painting as a sculptural intervention, inviting the audience to physically engage with the artwork. Using Kounellis¿ original piece as an art historical reference, Nickel¿s paintings are not only portraits of horses but painting-as-illusion, painting-as-object, and painting-as-situation.

An important monograph retracing the entire artistic output of visionary American artist Sandy Skoglund, merging installation, sculpture and photography.

Italian postwar artist Nuvolo (1926-2008) extended the two-dimensional rectangular format of painting with commonplace textiles and materials such as deerskin. With works produced between 1952 and 1965, this book contextualizes his work.

Arman was a US-naturalised French painter. This book covers the first twenty years of Arman's artistic production.

Giovanni Gastel, by Germano Celant, presents the creative path of the Milanese photographer through the intertwining of his professional and biographical events, by making reference to the international fashion scene as well its complex communication system.

Revealing the human dimension of Bures' jewels, and containing insights into the practices of a jewellery "maverick", whose work is equally visual and emotional.

This book on Virginia Dwan and her galleries in Los Angeles and New York tells for the first time the unique story of a fundamental actor on the global art scene, which has rarely been explored.

Jan Fabre's multi-faceted oeuvre, in a richly-illustrated volume including all his work from the start of his career to the present.

Sculptures, paintings and other art objects by one of the most original Young British Artists in an unparalleled exhibition catalogue.

Emilio Vedova's artistic career began in Venice in the mid-1930s. He immediately felt the deep allure of grand Venetian painting and sculpture and, guided by the restless agitation and dynamic mobility of the baroque, was soon plunged into total and extreme three-dimensional involvement. This title presents the sculptural journey of this master.