Bøker av Giles Whiteley

This book examines the various ways in which the German philosopher Friedrich Schelling was read and responded to by British readers and writers during the nineteenth century.

Uncovers the link between Ruskin and the tradition of the aesthetics of spaceDiscusses a hitherto under-researched tradition of city-writing, linking Ruskin to modernismReads comparatively five important mid to late nineteenth-century writersMarries close textual analysis with historically and geographically informed contextFills a gap in the critical literature on city-writing between realism and early modernismCharting an 'aesthetic', post-realist tradition of writing, this book considers the significant role played by John Ruskin's art criticism in later writing which dealt with the new kinds of spaces encountered in the nineteenth-century. With chapters devoted to the ways in which aesthetic and decadent writers such as Walter Pater and Oscar Wilde built upon and challenged Ruskin's ideas, the book links the late Dickens to the early modernism of Henry James. The Aesthetics of Space in Nineteenth-Century British Literature gives a vibrant vision of what an aesthetically sensitive treatment of these spaces looked like during the period.

Uncovers the link between Ruskin and the tradition of the aesthetics of space Charting an 'aesthetic', post-realist tradition of writing, this book considers the significant role played by John Ruskin's art criticism in later writing which dealt with the new kinds of spaces encountered in the nineteenth century. With chapters devoted to the ways in which aesthetic and decadent writers such as Walter Pater and Oscar Wilde built upon and challenged Ruskin's ideas, the book links the late Dickens to the early modernism of Henry James. The Aesthetics of Space in Nineteenth Century British Literature gives a vibrant vision of what an aesthetically sensitive treatment of these spaces looked like during the period. Giles Whiteley is Reader in English Literature at Stockholm University.

This book examines the various ways in which the German philosopher Friedrich Schelling was read and responded to by British readers and writers during the nineteenth century.

Oscar Wilde is more than a name, more than an author. From precocious Oxford undergraduate to cause celebre of the West End of the 1890s, to infamous criminal, the proper name Wilde has become an event in the history of literature and culture.