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Taking as example the increasingly politicised nature of contemporary poetry, the author clearly and succinctly presents an account of the monologues growing popularity over the past twenty years.
Specially commissioned essays offer revisionary readings of canonical poets and bring into focus rediscovered writers.
Byron presents the variety of the genre, including its history from Donne, to today's stand-up comedy, definitions, and key issues such as subjectivity, gender and politics.
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Ved å abonnere godtar du vår personvernerklæring.