Bøker av Graham Thompson

The Business of America examines the complex linking of business and nationhood in post-war United States literature against the backdrop of changing concepts of the nation in the field of American Studies. The first part of the book examines how white male literary culture has been largely hostile to business during this period and how it has represented transnational shifts in the nature of business as threats to supposedly American values like the individual, the family, or freedom. The book charts the way that such an uneasiness towards business relies upon a discourse about America, business and empire that is increasingly untenable in the post-war world. By way of comparison, The Business of America looks at how literature by women and by writers from different racial, ethnic and sexual groups often deals with business from the more localised angle of work. Graham Thompson shows how this attention to work provides a less abstract and more oppositional approach to the connection between business and America.

Examines Herman Melville's magazine work in its original publication context, including stories that became classics, such as "Bartelby, the Scrivener" and "Benito Cereno", alongside lesser-known work. Using a concept he calls "embedded authorship", Thompson explores what it meant to be a magazine writer in the 1850s and discovers a new Melville.

This book looks beyond the common label of 'Ronald Reagan's America' to chart the complex intersection of cultures in the 1980s. In doing so it provides an insightful account of the major cultural forms of 1980s America - literature and drama; film and television; music and performance; art and photography - and influential texts and trends of the decade: from White Noise to Wall Street, from Silicon Valley to MTV, and from Madonna to Cindy Sherman. A focused chapter considers the changing dynamics of American culture in an increasingly globalised marketplace.

The Business of America examines the complex linking of business and nationhood in post-war United States literature against the backdrop of changing concepts of the nation in the field of American Studies. *BR**BR*The first part of the book examines how white male literary culture has been largely hostile to business during this period and how it has represented transnational shifts in the nature of business as threats to supposedly American values like the individual, the family, or freedom. The book charts the way that such an uneasiness towards business relies upon a discourse about America, business and empire that is increasingly untenable in the post-war world. *BR**BR*By way of comparison, The Business of America looks at how literature by women and by writers from different racial, ethnic and sexual groups often deals with business from the more localised angle of work. Graham Thompson shows how this attention to work provides a less abstract and more oppositional approach to the connection between business and America.