Bøker av Gustaf Sobin

Marking the 50th anniversary of the earliest poems brought together in this volume, we now offer a second edition of Gustaf Sobin's first collection, a book which has been hard to find, other than within the pages of his posthumous Collected Poems."Gustaf Sobin's poems are not, in any superficial sense, 'painterly', but there is about them that sense of the intangible which anyone who has done graphic work must have felt hovering about the image and its physical counterpart. They often seek to render this intangibility of a world not yet known at the moment it is seized upon by the forms of language. The forms of language are thus, for Sobin, a fundamental measure of human activity although his poems do not look at that activity within an immediately social context. Sobin's attitude to language and to the way it stylizes our world for us recalls the writings of Benjamin Lee Whorf on the spatial concepts of the Hopi Indians. And Sobin's world, like that of the Hopi, is basic, stripped, often sun-drenched, sometimes arid-and mysterious." -Charles Tomlinson

The poems in Gustaf Sobin's newest collection, Breaths' Burials, establish a dialogue with silence. Breath, its syllables buried in the resonant space between the word and the void, unlocks "the gloriole, the ring of things released." Whether Sobin is writing about irises, Venetian architecture, or the wind-blown plateaus of his adopted Provence, his poems are not more nor less than a search in the redemptive, celebrating the regeneration of language out of itself. Breaths' Burials once again confirms the praise of Robert Duncan, who described Sobin's work as "a poetry of great distinction, awakening the spirit to a world of errant clarifies renewed."

Out of the pungent soil and wind-struck orchards of Provence, this enchanting love story will make you believe, if you ever doubted it, in the power of love and the lengths people will go to keep it alive.

This text explores the landscapes of Provence and Languedoc, drawing on prehistory, protohistory and Gallo-Roman antiquity, focusing on a place or artifact. Archival curiosities invite inquiry and speculation: artefacts are read as realia, and history as an uninterrupted sequence of object lessons.

Bits of late Roman coinage, the mutilated torso of a marble Venus, blue debris from an early medieval glassworks, and the powder rasped from the reputed tomb of Mary Magdalene-these tantalizing mementos of human history found scattered throughout the landscape of southeastern France are the points of departure for Gustaf Sobin's lyrical narrative. A companion volume to his acclaimed Luminous Debris, Ladder of Shadows picks up where the former left off: with late antiquity, covering a period from roughly the third to the thirteenth century. Here Sobin offers brilliant readings of late Roman and early Christian ruins in his adopted region of Provence, sifting through iconographic, architectural, and sacramental vestiges to shed light on nothing less than the existential itself.

Drawing on the life of Greta Garbo, Gustaf Sobin spins a masterful tale about the enigmatic nature of idolatry.