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The invasion begins . . . and the dead start to rise. There's panic in the streets of London as invaders from Mars wreak havoc on the living. But that's not the only struggle mankind must face. The dead are rising from their graves with an insatiable hunger for human flesh.
Revenge was all Leadford could think of as he set out to find the unfaithful Nettie and her adulterous lover. But this was all to change when a new comet entered the earth's orbit and totally reversed the natural order of things. The Great Change had occurred and any previous emotions, thoughts, ambitions, hopes and fears had all been removed. Free love, pacifism and equality were now the name of the game. But how will Leadford fare in this most utopian of societies ...?H. G. Wells was responsible for an entirely new genre of writing. It was his bold, daring and hugely innovative books that first introduced readers to the concept of time travel, invisibility, genetic experimentation and interstellar invasion - ideas that have gone on to inspire future generations and given rise to the entire science fiction industry.
A comet rushes toward the Earth, a deadly orb that soon fills the sky and promises doom. But mankind is too busy hating, stealing and scheming to care. This is H.G. Wells's tale of the last days of the old Earth and the extraterrestrial change that becomes the salvation of the human race.
Mr Britling Sees It Through was first published in 1916. Set in the summer of 1914 the main hero, Mr Britling, is an eccentric writer whose days are spent at luxurious house parties socialising with a lot of international guests.
A criticism of literature and thought, of the lives of men and their defensive instinct, constantly at war with 'all the great de-individualizing things, with Faith, with Science, with Truth, and with Beauty'".
Wells's An Experiment in Autobiography, subtitled, with typically Wellsian self-effacement, 'Discoveries and Conclusions of a Very Ordinary Brain (Since 1866)', first appeared in 1934, when Wells was sixty-eight years old, and is presented in Faber Finds in two volumes (also in the Faber Finds imprint is H.
Mr Bensington and Professor Redwood were amongst that new breed of men - or 'scientists' as they had become known. They discover Herakleophorbia IV, a chemical foodstuff that accelerates growth, and, after a series of experiments, the countryside is overrun with giant chickens, rats, wasps and worms. Havoc ensues, but Benson and Redwood are undeterred and begin to use 'the food of the gods' on humans. Soon, children are growing up to 40 feet high. But where will the experiments end?H. G. Wells was responsible for an entirely new genre of writing. It was his bold, daring and hugely innovative books that first introduced readers to the concept of time travel, invisibility, genetic experimentation and interstellar invasion - ideas that have gone on to inspire future generations and given rise to the entire science fiction industry.
The main protagonist of Men Like Gods is Mr Barnstaple, a careful driver and depressive journalist writing for The Liberal newspaper. It is to his consternation, therefore, that while carefully motoring along the Maidenhead road he skids on a bend and finds himself in another world altogether - in short, a supposed Utopia. This Utopia has its own socialist government and is very similar to the Earth. However, as pathogens have been eliminated the newly arrived visitors from Earth pose a grave threat to the Utopians by compromising their already weak immune systems. The people from earth find themselves being quarantined until a solution to this problem can be found. As no progress is being made many begin to resent this isolation and before long some plot to take over Utopia. Mr Barnstaple finds himself a total outsider, both with the Utopians and his fellow earthlings, and escapes from the quarantine castle just as the Earthlings' revolt begins. How can he survive in this Utopia and how can he get back to his Earth?Men Like Gods was first published in 1923.
Wells's An Experiment in Autobiography, subtitled, with typically Wellsian self-effacement, 'Discoveries and Conclusions of a Very Ordinary Brain (Since 1866)', first appeared in 1934, when Wells was sixty-eight years old, and is presented in Faber Finds in two volumes (also in the Faber Finds imprint is H.
No one would have believed that planet Earth was being watched by creatures more intelligent than humankind.
Herbert George Wells was perhaps best known as the author of such classic works of science fiction as The Time Machine and War of the Worlds. But it was in his short stories, written when he was a young man embarking on a literary career, that he first explored the enormous potential of the scientific discoveries of the day. He described his stories as "e;a miscellany of inventions,"e; yet his enthusiasm for science was tempered by an awareness of its horrifying destructive powers and the threat it could pose to the human race. A consummate storyteller, he made fantastic creatures and machines entirely believable; and, by placing ordinary men and women in extraordinary situations, he explored, with humor, what it means to be alive in a century of rapid scientific progress.
While walking in the Swiss Alps, two English travellers fall into a space-warp, and suddenly find themselves in another world. In many ways the same as our own - even down to the characters that inhabit it - this new planet is still somehow radically different, for the two walkers are now upon a Utopian Earth controlled by a single World Government. Here, as they soon learn, all share a common language, there is sexual, economic and racial equality, and society is ruled by socialist ideals enforced by an austere, voluntary elite: the 'Samurai'. But what will the Utopians make of these new visitors from a less perfect world?
Following the development of massive airships, na ve Londoner Bert Smallways becomes accidentally involved in a German plot to invade America by air and reduce New York to rubble. But although bombers devastate the city, they cannot overwhelm the country, and their attack leads not to victory but to the beginning of a new and horrific age for humanity. And so dawns the era of Total War, in which brutal aerial bombardments reduce the great cultures of the twentieth century to nothing. As civilization collapses around the Englishman, now stranded in a ruined America, he clings to only one hope - that he might return to London, and marry the woman he loves.
Young, impoverished and ambitious, science student Mr Lewisham is locked in a struggle to further himself through academic achievement. But when his former sweetheart, Ethel Henderson, re-enters his life his strictly regimented existence is thrown into chaos by the resurgence of old passion. Driven by overwhelming desire, he pursues Ethel passionately, only to find that while she returns his love she also hides a dark secret. For she is involved in a plot of trickery that goes against his firmest beliefs, working as an assistant to her stepfather - a cynical charlatan 'mystic' who earns his living by deluding the weak-willed with sly trickery.
A successful author and Liberal MP with a loving and benevolent wife, Richard Remington appears to be a man to envy. But underneath his superficial contentment, he is far from happy with either his marriage or the politics of his party. The New Machiavelli describes the disarray into which his life is thrown, when he meets the young and beautiful Isabel Rivers and becomes tormented by desire. At first, he struggles to resist and remain focused upon his familiar political, personal and social life. But as he soon learns, it is harder than he could have imagined to turn his back on love.
When Dr Philip Raven, an intellectual working for the League of Nations, dies in 1930 he leaves behind a powerful legacy - an unpublished 'dream book'. Inspired by visions he has experienced for many years, it appears to be a book written far into the future: a history of humanity from the date of his death up to 2105. The Shape of Things to Come provides this 'history of the future', an account that was in some ways remarkably prescient - predicting climatic disaster and sweeping cultural changes, including a Second World War, the rise of chemical warfare, and political instabilities in the Middle East.
Spanning the origins of the Earth to the outcome of the First World War, this is a brilliantly compelling account of the evolution of life and the development of the human race. Along the way, Wells considers such diverse subjects as the Neolithic era, the rise of Judaism, the Golden Age of Athens, the life of Christ, the rise of Islam, the discovery of America and the Industrial Revolution. Breathtaking in its scope and passionate in its intensity, this history remains one of the most readable of its kind.
Presented as a miraculous cure-all, Tono-Bungay is in fact nothing other than a pleasant-tasting liquid with no positive effects. Nonetheless, when the young George Ponderevo is employed by his Uncle Edward to help market this ineffective medicine, he finds his life overwhelmed by its sudden success. Soon, the worthless substance is turned into a formidable fortune, as society becomes convinced of the merits of Tono-Bungay through a combination of skilled advertising and public credulity. As the newly rich George discovers, however, there is far more to class in England than merely the possession of wealth.
Orphaned at an early age, raised by his aunt and uncle, and apprenticed for seven years to a draper, Artie Kipps is stunned to discover upon reading a newspaper advertisement that he is the grandson of a wealthy gentleman - and the inheritor of his fortune. Thrown dramatically into the upper classes, he struggles desperately to learn the etiquette and rules of polite society. But as he soon discovers, becoming a 'true gentleman' is neither as easy nor as desirable as it at first appears.
Twenty-one, passionate and headstrong, Ann Veronica Stanley is determined to live her own life. When her father forbids her from attending a fashionable Ball, she decides she has no choice but to leave her family home and make a fresh start in London. There, she finds a world of intellectuals, socialists, and suffragettes - a place where, as a student in Biology at Imperial College, she can be truly free. But when she meets the brilliant Capes, a married academic, and quickly falls in love, she soon finds that freedom comes at a price.
When penniless businessman Mr Bedford retreats to the Kent coast to write a play, he meets by chance the brilliant Dr Cavor, an absent-minded scientist on the brink of developing a material that blocks gravity. Cavor soon succeeds in his experiments, only to tell a stunned Bedford the invention makes possible one of the oldest dreams of humanity: a journey to the moon. With Bedford motivated by money, and Cavor by the desire for knowledge, the two embark on the expedition. But neither are prepared for what they find - a world of freezing nights, boiling days and sinister alien life, on which they may be trapped forever.
A troubled insomniac in 1890s England falls suddenly into a sleep-like trance, from which he does not awake for over two hundred years. During his centuries of slumber, however, investments are made that make him the richest and most powerful man on Earth. But when he comes out of his trance he is horrified to discover that the money accumulated in his name is being used to maintain a hierarchal society in which most are poor, and more than a third of all people are enslaved. Oppressed and uneducated, the masses cling desperately to one dream - that the sleeper will awake, and lead them all to freedom.
With an essay by John Huntington.'Death!' I shouted. 'Death is coming! Death!'In this pioneering, shocking and nightmarish tale, na ve suburban Londoners investigate a strange cylinder from space, but are instantly incinerated by an all-destroying heat-ray. Soon, gigantic killing machines that chase and feed on human prey are threatening the whole of humanity. A pioneering work of alien invasion fiction, The War of the World's journalistic style contrasts disturbingly with its horrifying visions of the human race under siege.The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.
Adrift in a dinghy, Edward Prendick, the single survivor from the good ship Lady Vain, is rescued by a vessel carrying a profoundly unusual cargo - a menagerie of savage animals. Tended to recovery by their keeper Montgomery, who gives him dark medicine that tastes of blood, Prendick soon finds himself stranded upon an uncharted island in the Pacific with his rescuer and the beasts. Here, he meets Montgomery's master, the sinister Dr. Moreau - a brilliant scientist whose notorious experiments in vivisection have caused him to abandon the civilised world. It soon becomes clear he has been developing these experiments - with truly horrific results.
With his face swaddled in bandages, his eyes hidden behind dark glasses and his hands covered even indoors, Griffin - the new guest at The Coach and Horses - is at first assumed to be a shy accident-victim. But the true reason for his disguise is far more chilling: he has developed a process that has made him invisible, and is locked in a struggle to discover the antidote. Forced from the village, and driven to murder, he seeks the aid of an old friend, Kemp. The horror of his fate has affected his mind, however - and when Kemp refuse to help, he resolves to wreak his revenge.
"No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man's and yet as mortal as his own." Thus begins one of the most terrifying and morally prescient science fiction novels ever penned. Beginning with a series of strange flashes in the distant night sky, the Martian attack initially causes little concern on Earth. Then the destruction erupts--ten massive aliens roam England and destroy with heat rays everything in their path. Very soon mankind finds itself on the brink of extinction. Wells raises questions of mortality, man's place in nature, and the evil lurking in the technological future--questions that remain urgently relevant in the twenty-first century.
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