Bøker av H. Rider Haggard

Before the beginning of this story of the most remarkable episodes in his life, Philip Hadden was engaged for several years in transport-riding--carrying goods on ox waggons from Durban or Maritzburg to various points in the interior of Africa. On arriving at the little frontier town of Utrecht in the Transvaal, in charge of two waggon loads of mixed goods consigned to a storekeeper there, it was discovered that five cases of brandy were missing from his waggon. The storekeeper called him a thief and the two men came to blows. Before anybody could interfere, the storekeeper received a nasty wound in his side. That night, Hadden trekked back into Natal, loaded up with Kaffir goods--such as blankets, calico, and hardware--and crossed into Zululand, where no sheriff's officer would be likely to follow. Being well acquainted with the language and customs of the natives, he did good trade with them, and soon found himself possessed of some cash and a small herd of cattle, which he received in exchange for his wares. Meanwhile news reached him that the man whom he had injured still vowed vengeance against him, and was in communication with the authorities in Natal. These reasons making his return to civilisation undesirable for the moment, and further business being impossible until he could receive a fresh supply of trade stuff, Hadden like a wise man turned his thoughts to pleasure. Sending his cattle and waggon over the border to be left in charge of a native headman with whom he was friendly, he went on foot to Ulundi to obtain permission from the king, Cetywayo, to hunt game in his country. Somewhat to his surprise, the Indunas or headmen, received him courteously--for Hadden's visit took place within a few months of the outbreak of the Zulu war in 1878, when Cetywayo was already showing unfriendliness to the English traders and others . . . .

I am going to tell the strangest story that I remember. It may seem a queer thing to say, especially considering that there is no woman in it -- except Foulata. Stop, though! there is Gagaoola, if she was a woman, and not a fiend. But she was a hundred at least, and therefore not marriageable, so I don't count her. At any rate, I can safely say that there is not a _petticoat_ in the whole history.

The tale of the youth of Umslopogaas, holder of the iron Chieftainess, the axe Groan-maker, who was named Bulalio the Slaughterer, and of his love for Nada, the most beautiful of Zulu women.

H. Rider Haggard (1856-1925) is best known as the successful writer of adventure stories with exotic backgrounds such as King Solomon's Mines. However, he also served on a number of royal commissions, and in managing his wife's Norfolk estate became a recognised expert on agricultural matters. His A Farmer's Year (1898, also reissued in this series), recounts the work of the farm, together with observations on rural life and the state of agriculture in general. In 1905 he published this work, a diary of his garden in 1903. After an introductory chapter (with a plan) describing the the garden, orchard and glasshouses, and the staff he employed, the diary begins, relating the tasks and experiences of the year, from spraying against red spider mite in January to decorating the house with greenery on Christmas Eve. This beautifully written book reveals the horticultural taste and practice of the Edwardian era.

Rider Haggard's survey of the state of English agriculture was carried out in 1901-1902, and published twice in book form. It shows a picture of agriculture in poor condition, and suggests reforms to improve matters. The book was well received, and many of Haggard's suggestions were later implemented.

Best-selling novelist Rider Haggard (1856-1925) was also a recognised expert on agricultural practice, and published this account of his life and work as a farmer in Norfolk in 1899. It gives a lyrical but unsentimental view of both the pleasure and the problems of late Victorian rural life.

These three great novels of African adventure continue to be favorite reading of those who love a thrilling tale. Perhaps the reason that they continue to be part of the public imagination, delighting each new generation afresh, is that they are filled with qualities close to the human heart: adventure, discovery, desire for immortality, terror, the search for the primitive . . . for what is unadorned by civilization. As Kipling said of Haggard's work, "It goes, and it grips, and it moves with all the freshness of youth." Haggard had lived for many years among primitive peoples in Africa, and his knowledge of the Dark Continent was matched by few men. Yet beyond his personal knowledge of Africa, his experience of savage life and wild lands, and his faculty for making us believe impossible tales―lies a feeling for the supernatural. Adventure alone was not enough for Haggard. As he said, "The thing must have a heart; mere adventures are not enough―I can turn them out by the peck." About "She," one of the great mythical creations of the late 19th century, he said, "The only clear notion that I had was that of an immortal woman inspired by immortal love . . . and it came―it came faster than my poor aching hand could set it down." Kipling simply said, "You did not write 'She, ' you know. Something wrote it through you." His novels have been called parables, asking "What are science, learning, and consciousness of knowledge and power, in the face of Omnipotence?" They have been called romance. And they have been called excitingly alive and imaginative by almost everyone who has ever picked up a volume, from R. L. Stevenson to George Orwell. "Do any of the moderns equal H. Rider Haggard as spinners of suspense yarns?"―Los Angeles Times "Haggard could spin a yarn so full of suspense and color that you couldn't put the story down."―Washington Post Complete unabridged texts of "She," "King Solomon's Mines," "Allan Quatermain."

Touted by its 1885 publisher as "the most amazing story ever written,” King Solomon's Mines was one of the bestselling novels of the nineteenth century. H. Rider Haggard's thrilling saga of elephant hunter Allan Quatermain and his search for fabled treasure is more than just an adventure story, though: As Alexandra Fuller explains in her Introduction, in its vivid portrayal of the alliances and battles of white colonials and African tribesmen, King Solomon's Mines "brings us the world of extremes, of the absurdly tall tales and of the illogical loyalty between disparate people that still informs this part of the world.”

'Enchantment is just what Rider Haggard exercised . . . [his] books live today with undiminished vitality'Graham Greene

Presents H. Rider Haggard's novel in its original illustrated Graphic magazine version, never before republished, and includes a critical introduction and supporting materials that demonstrate the novel's relationship to late-Victorian issues such as imperialism, archaeology, race, evolution, and the rise of the "New Woman.

''My empire is of the imagination.'' These are the words of Ayesha, the mysterious white queen of a Central African tribe, whose dread title, ''She-who-must-be-obeyed'', testifies to her undying beauty and magical powers; but they serve equally well to describe the hold of her author, Henry Rider Haggard, on generations of readers. Writing ''at white heat'', and in the flush of success after the publication of King Solomon''s Mines, Haggard drew again on his knowledge of Africa and of ancient legends, but also on something deeper and more disturbing. To the Englishmen who journey through shipwreck, fever, and cannibals to her hidden realm, ''She'' is the goal of a quest bequeathed to them two thousand years before; to Haggard''s readers, ''She'' is the embodiment of one of the most potent and ambivalent figures ofWestern mythology, a female who is both monstrous and desirable - and, without question, deadlier than the male. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

If representatives of an advanced civilization were to visit our planet today, would they be impressed or dismayed by the way we live?When three adventurers, Bastin, Bickley and Arbuthnot, are marooned on a South Sea island, they discover an ancient crystal sepulchre. Inside are two Atlanteans who have been in a state of suspended animation for 250,000 years!One of the awakened sleepers, the haughty Lord Oro, is the last of the Sons of Wisdom, a superior race who'd relied on their advanced technology to subjugate the planet's lesser peoples. The other Atlantean is Oro's daughter, Yva, heiress to the title of Queen of the Earth... who falls in love with Arbuthnot.Using astral projection, Lord Oro visits London and the battlefields of the Western Front. Unimpressed with the state of the world in the early 20th century, he sets out to do what he's apparently done once before - use a colossal gyroscope to drown the planet, and restart the course of human history.A darkly humorous look at the politics and conflicts of his own era by an author best known for swashbuckling adventure novels (including the hugely popular King Solomon's Mines) set in the context of the Scramble for Africa.

Three men trek to the remote African interior in search of a lost friend - and reach, at the end of a perilous journey, an unknown land cut off from the world, where terrible dangers threaten anyone who ventures near the spectacular diamond mines of King Solomon...

On his twenty-fifth birthday, Leo Vincey opens the silver casket that his father has left to him. It contains a letter recounting the legend of a white sorceress who rules an African tribe and of his father s quest to find this remote race. To find out for himself if the story is true, Leo and his companions set sail for Zanzibar. There, he is brought face to face with Ayesha, She-who-must-be-obeyed: dictator, femme fatale, tyrant and beauty. She has been waiting for centuries for the true descendant of Kallikrates, her murdered lover, to arrive, and arrive he does in an unexpected form. Blending breathtaking adventure with a brooding sense of mystery and menace, She is a story of romance, exploration discovery and heroism that has lost none of its power to enthrall.

This is a diary of Sir Henry Rider Haggard's tour of South Africa in 1914. It captures his feelings and perceptions on the change of Southern Africa, and of himself, since his departure in 1881.