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Topics covered include film and radio broadcasting as propaganda in wartime and postwar Asia; meaning construction of archival film footage in the politics of memory; historical fiction films' representation of colonial memory in the postcolonial society; how archival practices and documentary-making collectively resist forgetting state violence; and the use of virtual reality technology in the representation of historical trauma in museums. Contributors Juyeon Bae, Peter J. Bloom, Malinee Khumsupa, Chung-kang Kim, Han Sang Kim, Sudarat Musikawong, Sandeep Ray
In Cine-Mobility, Han Sang Kim argues that the force of propaganda films in Korea were derived primarily from the new mobility afforded by transportation. Kim explores the association between cinematic media and transportation mobility, and its connection with the new culture of mobility, including changes in gender dynamics, that accompanied it.
Abonner på vårt nyhetsbrev og få rabatter og inspirasjon til din neste leseopplevelse.
Ved å abonnere godtar du vår personvernerklæring.