Bøker av Hanif Kureishi

The Black Album is the second novel by Hanif Kureishi, one of the most praised and influential writers of our times. It is set in London in 1989, the year after the second acid-fuelled 'summer of love' - also the year in which the Ayatollah Khomeini pronounced his infamous fatwa upon Salman Rushdie.The Black Album is a portrait of a young Asian man being pulled in conflicting directions: one way by the lure of sexual and hallucinogenic hedonism, another by the austere certitudes of Islam. Shahid Hasan, a clean-cut kid from the provinces, comes to London after the death of his father. He makes his home in a Kilburn bedsit, falls in love with postmodernist college lecturer Deedee Osgood, and soon finds himself passionately embroiled in a spiritual battle between liberalism and fundamentalism.

Omar is a restless young Asian man, caring for his alcoholic father in the hustling London of the mid-1980s. His uncle, a keen Thatcherite, offers Omar an entrepreneurial opportunity to revamp a dingy laundrette, and ambitious Omar rolls up his sleeves, enlisting the assistance of his old school-friend Johnny, who has since fallen in with a gang of neo-fascists. Omar and Johnny soon form an unlikely alliance that leads to business success, as well as other, more intimate surprises.

Winner of the Whitbread First Novel Award'A wonderful novel. I doubt I will read a funnier one, or one with more heart, this year, possibly this decade.' Angela Carter, GuardianThe hero of Hanif Kureishi's first novel is Karim, a dreamy teenager, desperate to escape suburban South London and experience the forbidden fruits which the 1970s seem to offer. When the unlikely opportunity of a life in the theatre announces itself, Karim starts to win the sort of attention he has been craving - albeit with some rude and raucous results.'One of the best comic novels of growing up, and one of the sharpest satires on race relations in this country that I've ever read.' Independent on Sunday'Brilliantly funny. A fresh, anarchic and deliciously unrestrained novel.' Sunday Times'A distinctive and talented voice, blithe, savvy, alive and kicking.' Hermione Lee, Independent

'No one else casts such a shrewd and gimlet eye on contemporary life.' - William BoydComic, dark and insightful, What Happened? is Hanif Kureishi's new collection of essays and fiction.

This collection begins in the early 1980s with The Rainbow Sign, which was written as the Introduction to the screenplay of My Beautiful Laundrette. It allowed Kureishi to expand upon the issues raised by the film : race, class, sexuality - issues that were provoked by his childhood and family situation. In the ensuing decades, he has developed these initial ideas, especially as the issue of Islam's relation to the West has become one of the burning issues of the time.Kureishi shows how flexible a form the essay can be - as intellectual as Sontag or Adam Phillips, as informal and casual as Max Beerbohm, as cool and minimalist as Joan Didion, or as provocative as Norman Mailer. As with his fictional work, these essays display Kureishi's ability to capture the temper of the times.

'I'm going to tell him to pick up his prayer mat and get out of my house.'When Parvez's son Ali starts clearing out his bedroom, Parvez assumes he's taking drugs and selling his possessions to pay for them.

What if you were middle-aged and were offered the chance to trade in your sagging flesh for a much younger and more pleasing model? This is the situation in which one character in this collection of stories finds himself. Taking the plunge, he embarks on an odyssey of hedonism but soon has regrets.

Love in a Blue Time is a brilliant collection of stories by the bestselling author of The Buddha of Suburbia. This time, Hanif Kureishi's subject is the difficult, serious business of love - and hate. His stories have all the qualities of his novels: they are funny, inventive, bawdy, and aggressively contemporary. The characters that stride out of the pages of Love in a Blue Time, however damaged, deranged or despicable, are united by one thing: they are all creatures of strong desire.'In this haunting, troubling collection of short stories, Hanif Kureishi has finally embraced the decadence that has lain in wait for him . . . A tense, desolate and consuming collection.' Observer'The whole collection buzzes with anger and angst.' Time Out

Hate skews reality even more than love.In the story of a Pakistani woman who has begun a new life in Paris, an essay about the writing of Kureishi's acclaimed film Le Week-End, and an account of Kafka's relationship with his father, readers will find Kureishi also exploring the topics that he continues to make new, and make his own: growing up and growing old; betrayal and loyalty; imagination and repression; marriage and fatherhood. The collection ends with a bravura piece of very personal reportage about the conman who stole Kureishi's life savings - a man who provoked both admiration and disgust, obsession and revulsion, love and hate.

Over the past 10 years Hanif Kureishi has charted the gradual widening of the gulf between fundamentalist Islam and Western values. Starting with THE BLACK ALBUM, Kureishi portrayed the ongoing argument between Islam and Western liberal values, between Islamic certainty and Western rational scepticism. By the time he was writing the short sotry, MY SON THE FANATIC, the break was complete - there was no longer any attempt by the fundmentalists to find any common ground with Western culture.The outbreak of the Iraq war and its aftermath, plus the recent bombings in London, have stimulated Kureishi to write further about this great divide between the East and the West, and this volume collects Kureishi's writings from the past 10 years which have have dealt with this subject, charting Islam's disengangemnt from dialogue with the West.The volume also contains a new piece, written especially for this book, which brings Kureishi's analysis of the situation right up to date.

'Kureishi's screenplay is one of his most focused and engaging since My Beautiful Laundrette.' Allan Hunter, Screen InternationalAt sixty-five years of age, May fears that life has passed her by - that she has become just another invisible old lady whose days are more or less numbered. When she and her husband travel down from the north to visit their grown-up children in west London, she finds them characteristically inattentive. But then her husband's unexpected death pulls the ground from under her, and she subsequently embarks on a passionate affair with Darren, a man half her age, who is renovating her son's house and sleeping with her daughter, Paula. In the midst of this tumultuous situation, May begins to understand that it can take a lifetime to feel truly alive.

Shortlisted for the Bollinger Everyman Wodehouse PrizeMamoon is an eminent Indian-born writer who has made a career in England - but now, in his early 70s, his reputation is fading, sales have dried up, and his new wife has expensive taste.Harry, a young writer, is commissioned to write a biography to revitalise both Mamoon's career and his bank balance. Harry greatly admires Mamoon's work and wants to uncover the truth of the artist's life. Harry's publisher seeks a more naked truth, a salacious tale of sex and scandal that will generate headlines. Meanwhile Mamoon himself is mining a different vein of truth altogether.Harry and Mamoon find themselves in a battle of wills, but which of them will have the last word?The ensuing struggle for dominance raises issues of love and desire, loyalty and betrayal, and the frailties of age versus the recklessness of youth.Hanif Kureishi has created a tale brimming with youthful exuberance, as hilarious as it is touching, where words have the power to forge a world.

'It is the saddest night, for I am leaving and not coming back.'Jay is leaving his partner and their two sons. As the long night before his departure unfolds he remembers the ups and downs of his relationship with Susan. In an unforgettable, and often pitiless, reflection of their time together he analyses the agonies and the joys of trying to make a life with another person.

Over the course of the last 12 years, Hanif Kureishi has written short fiction. The stories are, by turns, provocative, erotic, tender, funny and charming as they deal with the complexities of relationships as well as the joys of children.This collection contains his controversial story Weddings and Beheadings, a well as his prophetic My Son the Fanatic, which exposes the religious tensions within the muslim family unit. As with his novels and screenplays, Kureishi has his finger on the pulse of the political tensions in society and how they affect people's everyday lives.

The protagonist of Hanif Kureishi's delightful novel is Gabriel, a fifteen-year-old North London schoolboy trying to come to terms with a new life, after the equilibrium of his family home has been shattered by the ousting of his father.Fending for himself, as well as providing emotional support to his confused (and confusing) parents, Gabriel is forced to grow up quickly. The only support he can draw upon is from his remembered twin brother, Archie, and from his own 'gift', which is accompanied by sensations that urge him into areas of life requiring the utmost courage and faith. A chance visit to seventies rock star Lester Jones crystallizes the turbulent emotions inside Gabriel, and helps him to recognize and engage with his gift . . .'A charming, light-textured fable about talent, about how single-minded creativity might embrace and even be buoyed by the heartbreaking muddle of everyday life.' Observer

Jamal Khan, a psychoanalyst in his fifties living in London, is haunted by memories of his teens: his first love, Ajita; the exhilaration of sex, drugs and politics; and a brutal act of violence which changed his life for ever. As he and his best friend Henry attempt to make the sometimes painful, sometimes comic transition to their divorced middle age, balancing the conflicts of desire and dignity, Jamal's teenage traumas make a shocking reappearance in his present life.'A great comic writer and a peerless connoisseur of the human mystery.' Independent'A novel that describes with such elegant seriousness the fear of ageing, the inanition of pleasure, the survival of love, the longing to understand and be understood.' Sunday Telegraph'A vital, teeming, panoramic, immersive novel.' Time Out'There is more that is worth thinking about in Something to Tell You than in the work of almost any other current British novelist.' Evening Standard

In 1981 Hanif Kureishi was voted Most Promising Playwright of the Year by the London Theatre Critics for his plays Borderline and Outskirts. In his extended and witty introduction, Kureishi looks at his work in the theatre at that time, while assessing the significance of radical British theatre during the 1970s.

Set over the course of a summer weekend in the country, Sleep With Me is a fast-moving, tragi-comic satire, exposing the emotionally and sexually chaotic lives of a group of friends. 'They're all coming apart . . . attacking one another . . . Affairs and heartbreak - most of the people I know.