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The Place across the River addresses defective systems of culture, politics, religion, and social relationship with poetic discourse reflecting the predicament of the abandoned and rejected whose voices carry little social power. The collection of poems provides an unforgettable portrait of life on the margins, where the working class, Black, Brown, and rejected human beings overlooked by mainstream society weep about shattered dreams and keep hope for a divided society alive.
"Poetry capturing the marginal men, women, and children who tell their story about a culture of indifference, while finding courage and compassion to hope in everyday life"--
In Who Comes in the Name of the Lord?, Harold J. Recinos advances the thesis that God has already prepared a future for mainline churches in Christ at the margins of society. That margin is the barrio -- a contemporary Nazareth -- judged by society as inferior, worthless, and productive of nothing good. Drawing on the biblical witness, Recinos develops a perspective that shows that God identifies with those who are poor, marginal, weak, and lowly in society. God's option for the lowly, he asserts, takes the form of incarnation in Jesus of Nazareth. God-in-Jesus is enfleshed in the history of an unimportant place known as Nazareth of Galilee. Nazareth, an inferior and worthless place, supports God on its barrio streets. Far from the Temple, on the town roads and with fisher-folk, Jesus first reveals in a fresh way the God of the poor and lowly. The cultural role of mainline Christians, argues Recinos, is not to be guardians of society; rather, mainline Christians and their churches are to shape and amend their culture in response to the work of God in human history. That work is imaged by feasting with the uninvited people who are kept isolated from mainstream society, yet presuppose the reality of God. Thus, Recinos argues for a missional ecclesiology suggesting that local congregations are instruments of a sacred love that renews the world of uninvited guests and forgotten people. The true church, he says, does not meet the anguished cry of people at the margins of life with silence but with dikaioma ("a just action") which assures shalom. The author then suggests several ways the local church can announce the reign of God and peace with justice, beginning in the barrio. "Once again, Harold Recinos opens up the gospel for us from the perspective of the barrio, and in particular of those recent immigrants who have arrived at the barrio as refugees from situations of unspeakable violence and dehumanization. This is a hard-hitting book about a hard-hitting Jesus. Not recommended for those who are looking for a soft, other-worldly word of inspiration. But certainly required reading for any who wish to be faithful to Jesus in our contemporary society!" --Justo L. González
In a world divided by race, ethnicity, gender, violence, and hate, Harold Recinos's Good News from the Barrio explores the ways in which the good news of the gospel is at work in Latino barrios. He challenges Christians to listen to the gospel in these contexts and offer a prophetic witness to the nation and the...
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