Bøker av Hartley Coleridge

The son of the famous Romantic poet Samuel Taylor Coleridge, Hartley Coleridge was a poet and essayist in his own right. This collection of his writings includes personal reflections, literary criticism, and social commentary, revealing the breadth of his interests and the depth of his wit.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Edinburgh Critical Editions provides reliable and authoritative scholarly editions of hard to find works, based on primary sources, in simultaneous library hardback and e-reader formatsThis new series - whose scope is the long nineteenth century, defined approximately as 1780-1914 - aims to bring back into print works of key scholarly and historical interest. These works sold well in their period and were of significant influence on other authors considered as major (the significance, for example, of William Barnes for Thomas Hardy, or that of Leigh Hunt for Charles Dickens). In addition to the full text, each volume will contain a comprehensive critical and interpretive introduction, comprehensive annotation, significant variants listed in notes, and suitable appendices to provide context and define the importance of the text in question.

In the introduction to this 1833 work on the 'lives of distinguished northerns' - including Andrew Marvell, Anne Clifford, Richard Arkwright, and James Cook - Hartley Coleridge makes a distinction between biography as part of public history and as personal, local or family history: these sketches definitely fall into the latter category.