Bøker av Henry David Thoreau

Robert Pepperman Taylor's new edition clarifies the specific political and philosophical contexts in which Thoreau composed Civil Disobedience.

This illustrated edition of Walden features 66 photographs by Herbert W. Gleason, one of the great American landscape photographers of the nineteenth and early twentieth century. Gleason, who had a special love for what he called "e;the simple beauty of New England,"e; became interested in Thoreau's work when commissioned in 1906 by the Houghton Mifflin Company to illustrate their edition of The Writings of Henry David Thoreau. With the help of the few surviving people who had known Thoreau, Gleason searched out the exact places Thoreau had described-all of them still looking much as they had when Thoreau knew them-and photographed them. Gleason became so interested in the project that he continued to photograph Thoreau country for more than forty years. Most of the photographs reproduced here were chosen by Gleason himself for an edition of Walden he planned but never published.Originally published in 1973.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Originally published in 1854, Walden, or Life in the Woods, is a vivid account of the time that Henry D. Thoreau lived alone in a secluded cabin at Walden Pond. It is one of the most influential and compelling books in American literature. This new paperback edition--introduced by noted American writer John Updike--celebrates the 150th anniversary of this classic work. Much of Walden's material is derived from Thoreau's journals and contains such engaging pieces as "e;Reading"e; and "e;The Pond in the Winter."e; Other famous sections involve Thoreau's visits with a Canadian woodcutter and with an Irish family, a trip to Concord, and a description of his bean field. This is the complete and authoritative text of Walden--as close to Thoreau's original intention as all available evidence allows. For the student and for the general reader, this is the ideal presentation of Thoreau's great document of social criticism and dissent.

To find more information about Rowman and Littlefield titles, please visit www.rowmanlittlefield.com.

"With quotable lines on every page, this is an important and affecting addition to the Thoreau shelf." -Booklist

From 1837 to 1861, Thoreau kept a Journal that began as a conventional record of ideas, grew into a writer's notebook, and eventually became the principal imaginative work of his career. This work reveals him as an increasingly confident taxonomist creating lists that distill his observations about plant leafing and seasonal birds.

From 1837 to 1861, Thoreau kept a Journal that began as a conventional record of ideas, grew into a writer's notebook, and eventually became the principal imaginative work of his career. This work comprises a single manuscript notebook of nearly five hundred pages that Thoreau filled between March 9 and August 18, 1853.

From 1837 to 1861 Thoreau kept a journal that began as a conventional record of ideas, grew into a writer's notebook, and eventually became the principal imaginative work of his career. This book finds Thoreau intensely concentrating on detailed observations of natural phenomena and on 'the mysterious relation between myself and these things.

From 1837 to 1861 Thoreau kept a Journal that began as a conventional record of ideas, grew into a writer's notebook, and eventually became the principal imaginative work of his career. This volume presents nearly eight hundred manuscript pages of this Journal.

From 1837 to 1861, Thoreau kept a Journal that began as a conventional record of ideas, grew into a writer's notebook, and became the principal imaginative work of his career. This volume spans a period of rapid change in Thoreau's life and literary career, including the publication of his first book and a crisis in his friendship with Emerson.

Presents Henry David Thoreau's account of Cape Cod. This title focuses on his encounters with the ocean, from the fatal shipwreck of the opening episode to the late reflections on the Pilgrims' Cape Cod landing and reconnaissance. It relates the experiences of fishermen and oystermen, farmers and salvagers, lighthouse-keepers and ship-captains.

In the late summer of 1839 Thoreau and his elder brother John made a two-week boat-and-hiking trip from Concord, Massachusetts, to the White Mountains of New Hampshire. After John's sudden death in 1842, Henry began to prepare a memorial account of their excursion.

Covers the early years of Thoreau's intellectual and artistic growth. This title reflects his reading, travels, and contacts with Ralph Waldo Emerson, Margaret Fuller, and other Transcendentalists.

A collection of fifty-three early pieces by Thoreau representing the full range of his youthful imagination. Collected, arranged, and edited, these writings date from 1828 to 1852 and cover a range of subjects, such as: learning, morals, literature, history, politics, and love.

Opening with "The Service," one of the best examples of Thoreau's early style and interests, this work contains ten other essays. It includes reform papers such as: "The Service Paradise (To Be) Regained"; "Herald of Freedom"; "Wendell Phillips Before Concord Lyceum"; "Resistance to Civil Government Slavery in Massachusetts"; and more.

A personal account of exploration, of exterior and interior discovery in a natural setting, conveyed in taut, workmanlike prose.

Presents a simple account of a year spent alone in a cabin by a pond in the woods.

Includes Thoreau's reminiscences of his 1839 excursion with his brother John along the Concord and Merrimack rivers and all his impressions and observations entered in journals during the famous Walden sojourn.

The most uplifting passages from Walden, from the essay "Civil Disobedience" and from the Journal of Thoreau's later years. Van Anglen distills Thoreau's massive body of work into 750 of his most profound, acute ideas on subjects ranging from the ecology movement to English literature.

This volume of seven essays and a late lecture by Henry David Thoreau makes available important material written both before and after ""Walden"". Rossi's introduction puts the essays in the context of Thoreau's other major works, both chronologically and intellectually.

Includes thirteen selections from the polemical writings of Henry D Thoreau that represent various stages in his twenty-two years of active writing. This title offers a microcosm of Thoreau's literary career. It allows the reader to achieve a full sense of Thoreau's evolution as a writer and thinker.

In the late summer of 1839, Thoreau and his older brother John made a two-week boat-and-hiking trip from Concord, to the White Mountains of New Hampshire. After John's death in 1842, Thoreau began to prepare a memorial account of their excursion. This is the story of a river journey depicting the early years of his spiritual and artistic growth.

This is the inaugural volume in the first full-scale scholarly edition of Thoreau's correspondence in more than half a century. When completed, the edition's three volumes will include every extant letter written or received by Thoreau--in all, almost 650 letters, roughly 150 more than in any previous edition, including dozens that have never before been published. Correspondence 1 contains 163 letters, ninety-six written by Thoreau and sixty-seven to him. Twenty-five are collected here for the first time; of those, fourteen have never before been published. These letters provide an intimate view of Thoreau's path from college student to published author. At the beginning of the volume, Thoreau is a Harvard sophomore; by the end, some of his essays and poems have appeared in periodicals and he is at work on A Week on the Concord and Merrimack Rivers and Walden. The early part of the volume documents Thoreau's friendships with college classmates and his search for work after graduation, while letters to his brother and sisters reveal warm, playful relationships among the siblings. In May 1843, Thoreau moves to Staten Island for eight months to tutor a nephew of Emerson's. This move results in the richest period of letters in the volume: thirty-two by Thoreau and nineteen to him. From 1846 through 1848, letters about publishing and lecturing provide details about Thoreau's first years as a professional author. As the volume closes, the most ruminative and philosophical of Thoreau's epistolary relationships begins, that with Harrison Gray Otis Blake. Thoreau's longer letters to Blake amount to informal lectures, and in fact Blake invited a small group of friends to readings when these arrived. Following every letter, annotations identify correspondents, individuals mentioned, and books quoted, cited, or alluded to, and describe events to which the letters refer. A historical introduction characterizes the letters and connects them with the events of Thoreau's life, a textual introduction lays out the editorial principles and procedures followed, and a general introduction discusses the significance of letter-writing in the mid-nineteenth century and the history of the publication of Thoreau's letters. Finally, a thorough index provides comprehensive access to the letters and annotations.

Featuring nearly 100 luminous watercolor illustrations, Thoreau and the Art of Life collects eloquent passages from the writings of the seminal author and philosopher. Drawn mainly from his journals, the short excerpts provide fascinating insight into his thought processes by presenting his raw, unedited feelings about the things that meant the most to him. The book reflects Thoreau’s deep beliefs and ideas about nature, relationships, creativity, spirituality, aging, simplicity, and wisdom. By eloquently expressing his thoughts about life and what gives it value, he leads the reader to a closer examination of life. Thoreau’s work asks us to live our own truths with joy and discipline and to recognize that we live in a universe of extraordinary beauty, mystery, and wonder. An avid reader of Thoreau, editor and illustrator Roderick MacIver organized the passages by themes: love and friendship; art, creativity, and writing; aging, disease, and death; human society and culture; nature and the human connection to the natural world; and wisdom, truth, solitude, and simplicity. The book includes a chronology and brief biography. Thoreau’s words of wisdom combined with MacIver’s vivid illustrations of the American landscape will resonate with nature enthusiasts and a broad range of readers interested in art, environmentalism, literature, and philosophy. “It is something to be able to paint a particular picture, or to carve a statue, and so to make a few objects beautiful, but it is more glorious to carve and paint the very atmosphere and medium through which we look, which morally we can do. To affect the quality of the day, that is the highest of arts. Every man is tasked to make his life, even in its details, worthy of the contemplation of his most elevated and critical hour.”—Henry David Thoreau