Bøker av Henry James

The poignant and insightful short tale "The Diary of a Man of Fifty" by Henry James explores aging and coming to terms with one's history. The narrator returns to Italy, where he previously spent some time, and revisits recollections of a love relationship that finally ended in failure. Some of these memories are unpleasant, while others are enlightening. This story is one of James' lesser-known works, and the 24-volume New York Edition of his Novels and Tales omitted it entirely (1907-09). It's written in the style of a journal, which makes it rather unusual as well. James typically preferred to use a first-person or omniscient third-person narrator to closely control the narrative and point of view. The general begins to question his own judgment in light of this and begins to wonder if he might have erred. An English army general of fifty-two returns to Florence after a romance with Countess Falvi. He meets Edmund Stanmer, a young English traveler of twenty-five who is acquainted with the Countess's daughter Bianca. The General warns Stanmer that Bianca is an actress and coquette, just like her mother.

The August night was dark, and Beacon Street, with its double chain of lighting, appeared to be a foreshortened desert. Because "everyone" was out of town, it's possible that the servants were profaning the tables in their excess of leisure. A leisurely passage-which at that time of year would probably also be a lovely one-was a guarantee of ten to twelve days of fresh air because America was sweltering and England would very well be stuffy. It was also clear that one was old and the other was young, and that their differences did not preclude them from becoming mother and daughter. One of the guests in Mrs. Nettlepoint's home described how "low" Mr. Mavis Porterfield had been; the other, a young girl, was too upset by the thought of being left alone with her frail, maybe terminally ill father to care for him. The Patagonia was slow but spacious and comfortable, and there was motherly decency in her long nursing rock and her rustling old-fashioned gait. It seems as though she didn't want to arrive in port with the splashing enthusiasm of a youthful creature.

The elderly guy opened the door to the little salon de lecture and remarked, "I guess my daughter is in here." When George Flack discovered Mr. Dosson sitting on the hotel's court, he asked him where Miss Francina was. There were indistinct prostrations on seats of exhausted heads of American families, flittings of tray-bearing waiters and unheeded bells, discussions with landladies and sayings-fourth of admonitory landlady. Mr. Flack visited every day for the next month to lead them in the correct direction, pointing out its benefits in a way that made them realize how greatly they had erred. He had accepted from the beginning the notion that she was his enemy, and he made this point frequently enough to become grating. However, he purposefully kept quiet because he didn't want to attract any attention from strangers. While Francie gave the two guys coffee, he was smoking cigarettes with a buddy, which she found to be extremely nice. She had the same effect on the man who was with him and who never looked away from her as she continued to work on a number of completed and incomplete paintings. The night they accompanied Mr. Probert to the circus, Delia had erupted; she had apostrophized Francie while they were each sitting on red-damask chairs in their own rooms.

The Marriages, has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.

Nona Vincent , has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.

The Portrait of a Lady is the story of a spirited young American woman, Isabel Archer, who, "affronting her destiny," finds it overwhelming. She inherits a large amount of money and subsequently becomes the victim of Machiavellian scheming by two American expatriates. Like many of James's novels, it is set in Europe, mostly England and Italy. Generally regarded as the masterpiece of James's early period, this novel reflects James's continuing interest in the differences between the New World and the Old, often to the detriment of the former. It also treats in a profound way the themes of personal freedom, responsibility, and betrayal.

This bittersweet tragicomedy centres on an odd triangle of characters: Basil Ransom, a political conservative from Mississippi; Olive Chancellor, Ransom's cousin and a Boston feminist; and Verena Tarrant, a pretty, young protégée of Olive's in the feminist movement. The storyline concerns the struggle between Ransom and Olive for Verena's allegiance and affection, though the novel also includes a wide panorama of political activists, newspaper people, and quirky eccentrics. This brilliant satire of the women's rights movement in America is the story of the ravishing inspirational speaker Verena Tarrant and the bitter struggle between two distant cousins who seek to control her. Will the privileged Boston feminist Olive Chancellor succeed in turning her beloved ward into a celebrated activist and lifetime companion? Or will Basil Ransom, a conservative southern lawyer, steal Verena's heart and remove her from the limelight?

The Turn of the Screw is an 1898 horror novella by Henry James which first appeared in serial format in Collier's Weekly (January 27 - April 16, 1898). In October 1898, it was collected in The Two Magics, published by Macmillan in New York City and Heinemann in London. The novella follows a governess who, caring for two children at a remote estate, becomes convinced that the grounds are haunted. The Turn of the Screw is considered a work of both Gothic and horror fiction. In the century following its publication, critical analysis of the novella has undergone several major transformations. Initial reviews regarded it only as a frightening ghost story, but, in the 1930s, some critics suggested that the supernatural elements were figments of the governess' imagination. In the early 1970s, the influence of structuralism resulted in an acknowledgement that the text's ambiguity was its key feature. Later approaches incorporated Marxist and feminist thinking. The novella has been adapted numerous times, including a Broadway play (1950), a chamber opera (1954), two films (in 1961 and 2020), and a miniseries (2020).

Daisy Miller is a novella by Henry James that first appeared in The Cornhill Magazine in June-July 1878, and in book form the following year. It portrays the courtship of the beautiful American girl Daisy Miller by Winterbourne, a sophisticated compatriot of hers. His pursuit of her is hampered by her own flirtatiousness, which is frowned upon by the other expatriates when they meet in Switzerland and Italy. Annie "Daisy" Miller and Frederick Winterbourne first meet in Vevey, Switzerland, in a garden of the grand hotel, where Winterbourne is allegedly vacationing from his studies (an attachment to an older lady is rumoured). They are introduced by Randolph Miller, Daisy's nine-year-old brother. Randolph considers their hometown of Schenectady, New York, to be absolutely superior to all of Europe. However, Daisy is absolutely delighted with the continent, especially the high society she wishes to enter.