Bøker av Henry Sless

This book offers a multi-disciplinary visual analysis of British taxation history during the long nineteenth century. Focusing specifically on cartoons from the period, the book utilises the author's innovative PEARL methodology to analyse the impact of Publishers' attitudes, Editorial techniques, Artistic methods, Readers' responses, and Legal context on historical images published in this period.The book outlines a financial and visual context for the long nineteenth century, discussing the importance of political images during a period when the relationship between the state and the taxpayer was fundamentally shifting. The state of public finance in Britain as a whole, including the growth of institutional finance, the economic impact of wars, and attempts to reduce the national debt, are considered alongside an exploration of the recurring iconographical styles of the period. The book situates the visual history of taxation within a wider context of politicised images responding to fiscal events, and uses the PEARL analysis technique to pinpoint nuanced and evolving public attitudes towards tax structures in Britain, as well as comparative developments in the US such as the impact of the Civil War and income tax debates. The book will be of interest to financial historians and academic cultural historians, as well as all those interested in visual culture and political imagery.

This book provides a critical analysis of visual images of British and international finance during the nineteenth century. Its focus is on the financiers themselves, contrasting the depiction of the respectable Merchant Princes with the less than perfect charlatans (white-collar criminals) who defrauded investors of millions. The breakdown of trust between financiers and investors that evolved during this period is represented visually in depictions of the emotional response of investors to the uncertain financial climate.Throughout the book a PEARL methodology has been used to critique the images reflecting the impact of any PublisherΓÇÖs political bias, the Editorial and Artistic techniques used to convey the messages in the images, and the Legal context (especially a concern in countries such as France and Germany where censorship was strict).The book concludes that white-collar criminals were invariably secretly admired in Britain, and rarely severely satirised. Similarly, Merchant Princes were depicted favourably in Britain as members of the ruling elite during the latter half of the century. This is contrasted with the more extreme anti-monopolistic images in the US and the extreme anti-Semitic treatment of Jewish financiers in France and Germany.