Bøker av Herman Melville

Contents: Benito Cereno; Bartleby the Scrivener; The Encantadas or Enchanted Isles; Billy Budd, Foretopman.

This is an accurate version of Melville's final novel. Based on a close analysis of the manuscript, thoroughly annotated and packaged with history of the text and perspectives for its criticism.

Herman Melville's Mardi (1849) has stood the test of time as a superb allegorical fantasy, and as the third in a trilogy reflecting on Melville's experiences on the sea. Set on a fictional Pacific island, this adventure, love story, and exploration of the metaphysical sets the stage for later writers in the twentieth century who delve into the psychological.

Moby Dick is the story of Captain Ahab's quest to avenge the whale that 'reaped' his leg.

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Presents a tale of one obsessed captain, his doomed crew and an elusive white whale named Moby-Dick.

`Truth uncompromisingly told will always have its ragged edges.' So wrote Melville of Billy Budd, Sailor, among the greatest of his works and, in its richness and ambiguity, among the most problematic. The selection in this volume represents the best of Melville's shorter fiction, and uses the most authoritative texts. The eight shorter tales included here were composed during Melville's years as a magazine writer in the mid 1850's and establish him, along with Hawthorne and Poe, as the greatest American story writer of his age. All show Melville a master of irony, point-of-view, and tone, whose fables ripple out in ever increasing circles of meaning. Bartleby, the Scrivener; Cock-A-Doodle-Doo!; The Fiddler; The Paradise of Bachelors and the Tartarus of Maids; The Lightning-Rod Man; The Encantadas, or Enchanted Isles; Benito Cereno; I and My Chimney; Billy Budd, Sailor (An Inside Narrative).

Male, female, deft, fraudulent, constantly shifting: which of the masquerade' of passengers on the Mississippi steamboat Fid le is the confidence man'? The central motif of Melville's last and most modern' novel can be seen as a symbol of American cultural history.

"Herman Melville (1819-1891) stopped writing fiction after the publication of The Confidence Man: His Masquerade ] in 1857; as he entered his forties, he turned to poetry as his literary avocation. Hi"

Classic / British EnglishMoby Dick is the most dangerous whale in the oceans. Captain Ahab fought him and lost a leg. Now he hates Moby Dick. He wants to kill him. But can Captain Ahab and his men find the great white whale? A young sailor, Ishmael, tells the story of their exciting and dangerous trip.

When Ishmael sets sail on the whaling ship Pequod one cold Christmas Day, he has no idea of the horrors awaiting him out on the vast and merciless ocean. The ship's strange captain, Ahab, is in the grip of an obsession to hunt down the famous white whale, Moby Dick, and will stop at nothing on his quest to annihilate his nemesis.

The text of The Confidence-Man reprinted here is again that of the first American edition (1857), slightly corrected.

"I prefer not to," he respectfully and slowly said, and mildly disappeared.Academics hail it as the beginning of modernism, but to readers around the world-even those daunted by Moby-Dick-Bartleby the Scrivener is simply one of the most absorbing and moving novellas ever. Set in the mid-19th century on New York City's Wall Street, it was also, perhaps, Herman Melville's most prescient story: what if a young man caught up in the rat race of commerce finally just said, "I would prefer not to"?The tale is one of the final works of fiction published by Melville before, slipping into despair over the continuing critical dismissal of his work after Moby-Dick, he abandoned publishing fiction. The work is presented here exactly as it was originally published in Putnam's magazine-to, sadly, critical disdain.The Art of The Novella Series Too short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

The classic story of Moby Dick, the whale pursued relentlessly by the crazed Captain Ahab.

Onboard the Fid le, a steamboat floating down the Mississippi to New Orleans, a confidence man sets out to defraud his fellow passengers. In quick succession he assumes numerous guises - from a legless beggar and a worldly businessman to a collector for charitable causes and a 'cosmopolitan' gentleman, who simply swindles a barber out of the price of a shave. Making very little from his hoaxes, the pleasure of trickery seems an end in itself for this slippery conman. Is he the Devil? Is his chicanery merely intended to expose the mercenary concerns of those around him? Set on April Fool's Day, The Confidence-Man (1857) is an engaging comedy of masquerades, digressions and shifting identity, and a devastating satire on the American dream.

Wellington Redburn is a fifteen-year-old from the state of New York, with only one dream - to run away to sea. However, when he does fulfil this long-held fantasy, he quickly finds that reality as a cabin boy is far harsher than he ever imagined. Mocked by the crew on board the Highlander for his weakness and bullied by the vicious and merciless sailor Jackson, Wellington must struggle to endure the long journey from New York to Liverpool. But when he does reach England, he is equally horrified by what he finds there: poverty, desperation and moral corruption. Inspired by Melville's own youthful experiences on board a cargo boat, this is a compelling tale of innocence transformed, through bitter experience, into disillusionment. A fascinating sea journal and coming-of-age tale, Redburn provides a unique insight into the mind of one of America's greatest novelists.