Bøker av Hilda Doolittle

Brilliant reworkings of Euripides' classic dramas by the great modernist poet H.D., now available in one volume. H.D.'s 1927 adaptation of Euripides's Hippolytus Temporizes and her 1937 translation of Ion appeared midpoint in her career. These two verse dramas can both be considered as "freely adapted" from plays by Euripides; they constitute a commentary in action, and in this regard resemble the Oedipus plays of W. B. Yeats and Ezra Pound's Women of Trachis. In the first play, the young man Hippolytus is obsessed with the virgin goddess Artemis and discovers the depth of his passion with the sensual Phaedra, his disguised stepmother: this experience brings self-knowledge and death. The heroine Kreousa in Ion attempts to poison Ion when she fails to recognize him as her son by Apollo and sees instead an outsider and possible usurper of her throne. H.D.'s translations of the Greek were greatly admired by T. S. Eliot. In her reworkings, she creates modern versions of classic plays, enabling her to explore her favorite poetic themes. Sigmund Freud (with whom H.D. was undergoing analysis just before she embarked on Ion) commended her translations; and after writing them, H.D. was able to go on to write Helen in Egypt, "a sweeping epic of healing and integration." These marvelous versions attest to H.D.'s claim that "the lines of this Greek poet (and all Greek poets if we have but the clue) are today as vivid and as fresh as they ever were."

Veronica-Pontius Pilate's wife-is beautiful, brilliant, and weary of a life spent in her boudoir and the Roman court. When one of her lovers sends her disguised as a servant to a seer, she feels suddenly alive, experiencing "sudden pre-visions of inner splendor." The seer, Mnevis, arouses the artist, the dreamer in her, eventually telling her of a Jew, a "love-god," who believes women have an important place in the spiritual hierarchy. What follows is a chain of events in which Veronica commits the one genuine act of her life, offering Jesus a "way out" before his crucifixion.This revision of biblical history-in the tradition of D. H. Lawrence's The Man Who Died and Kazantzakis's The Last Temptation of Christ-is not just a novel; but part of the ongoing dialogue about the feminine and divine. Pilate's Wife was written by H.D. in 1929, revised in 1934, and is now finally published by New Directions, edited with an introduction by H.D. scholar Joan Burke. It is a testament to Alicia Ostriker's claim that, among the women poets and novelists of this century, "H.D. is the most profoundly religious, the most seriously engaged in spiritual quest."

Selected Poems, the first selection to encompass the rich diversity of Hilda Doolittle's poetry, is both confirmation and celebration of her long-overdue inclusion in the modernist canon. With both the general reader and the student in mind, editor Louis L. Martz of Yale University (who also edited H.D.'s Collected Poems 1912-1944) has provided generous examples of H.D.'s work. From her early "Imagist" period, through the "lost" poems of the thirties where H.D. discovered her unique creative voice, to the great prophetic poems of the war years combined in Trilogy, the selection triumphantly concludes with portions of the late sequences Helen in Egypt and Hermetic Definition which focus on rebirth, reconciliation, and the reunion of the divided self.

H.D.'s Nights is about one woman's attempt to get to the essence of her bisexuality and failed marriage through an illicit heterosexual affair--an attempt that eventually ends in suicide. Much like a mystery novel, we are given the clues to the writer Natalia Saunderson's death: a muff and watch left beside a frozen pond and two parallel skating lines that meet. Following her drowning, Natalia's manuscripts, a kind of experimental diary, are delivered to a publisher friend, and they provide the details which lay bare the often painful story.

In recapturing her memories of being a very little girl in Bethlehem, Pennsylvania, and later on a country place outside Philadelphia, H.D. "let the story tell itself or the child tell it." It is this voice or child's-eye view that lends The Gift its special charm as H.D. recreates the ordinary and extraordinary occasions of her early youth, the nightmares and delights. A road-company presentation of Uncle Tom's Cabin, Christmas Eve with its particular family ritual, a family outing, a disturbing accident--the happenings and incidents, perceptions and misconceptions with which a child's life is crowded are the substance of this most winning book. As she did for the H.D. novel HERmione, H.D.'s daughter, Perdita Schaffner, provides a fine introduction.

They had been engaged for a period, and what began as a brief romance developed into a lifetime's friendship and collaboration in poetry. Throughout the reminiscence runs H. D's conviction that her life and Pound's had been irrevocably entwined since those early days when they had walked together in the Pennsylvania woods and he wrote for her verse after William Morris, Rossetti, Swinburne, and Chaucer. Twenty-five of these poems, handbound in vellum by Pound and called "Hilda's Book," are published here for the first time as an epilogue to this important and moving document.

The fabulous beauty of Helen of Troy is legendary. But some say that Helen was never in Troy, that she had been conveyed by Zeus to Egypt, and that Greeks and Trojans alike fought for an illusion. A fifty-line fragment by the poet Stesichorus of Sicily (c. 640-555 B.C.), what survives of his Pallinode, tells us almost all we know of this other Helen, and from it H. D. wove her book-length poem. Yet Helen in Egypt is not a simple retelling of the Egyptian legend but a recreation of the many myths surrounding Helen, Paris, Achilles, Theseus, and other figures of Greek tradition, fused with the mysteries of Egyptian hermeticism.

Written by H. D. in 1930 and only published in a 100-copy edition for friends in 1934, Kora and Ka marked a new level of intensity in the poet's experiments with prose fiction. The two long stories contained in this volume, Kora and Ka and Mira-Mare, are at once profoundly autobiographical yet, through H. D.'s unusual brand of modernist story-telling, pushed beyond personality. The men and women who haunt these tales are wraiths in spiritual exile, wanderers in a Europe still recovering from the devastations of World War I. Her descriptions of the beaches at Monte Carlo are triumphs of vivid detail - bright watercolors set against brooding psychological portraits. In its exploration of the broken dualities of self and civilization, Kora and Ka looks forward to H. D.'s masterpieces, Tribute to Freud and Trilogy.

The second set of New Directions Poetry Pamphlet series, which includes Vale Ave by H. D.; Eiko & Koma by Forrest Gander; A Musical Hell by Alejandra Pizarnik; The Beautiful Contradictions by Nathaniel Tarn.

Vale Ave - Latin for "Farewell, Hail" - is a hymn to Eros that unfolds as a gorgeous palimpsest of eternal recurrence and reincarnation, charting the course of two lovers who each seek the other across cultures, myths, and centuries. Vale Ave is alchemical - "mystery and portent, yes, but at the same time," as H. D. writes, "there is Resurrection and the hope of Paradise."

H. D.'s (Hilda Doolittle, 1884-1961) late poems of search and longing represent the mature achievement of a poet who has come increasingly to be recognized as one of the most important of her generation. The title poem and other long pieces in this collection ("Sagesse" and "Winter Love") were written between 1957 and her death four years later, and are heretofore unpublished, except in fragments. We can see now in proper context her fine ear for the free line, and understand why other poets, such as Denise Levertov, Robert Creeley, and Robert Duncan, find so much to admire in H. D.'s work. As in her earlier books, one level of H.D.'s significant poetic statement derives from her intimate knowledge of and identification with classical Greek and arcane cultures; taken together, these elements make up the poet's own personal myth. Norman Holmes Pearson, H. D's friend and literary executor, has contributed an illuminating foreword to this impressive collection.H. D.'s (Hilda Doolittle, 1884-1961) late poems of search and longing represent the mature achievement of a poet who has come increasingly to be recognized as one of the most important of her generation. The title poem and other long pieces in this collection ("Sagesse" and "Winter Love") were written between 1957 and her death four years later, and are heretofore unpublished, except in fragments. We can see now in proper context her fine ear for the free line, and understand why other poets, such as Denise Levertov, Robert Creeley, and Robert Duncan, find so much to admire in H. D.'s work. As in her earlier books, one level of H.D.'s significant poetic statement derives from her intimate knowledge of and identification with classical Greek and arcane cultures; taken together, these elements make up the poet's own personal myth. Norman Holmes Pearson, H. D's friend and literary executor, has contributed an illuminating foreword to this impressive collection.

"Like every major artist she challenges the readers intellect and imagination."--Boston Herald