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For this revised edition of Hildegard's liturgical song cycle, Barbara Newman has redone her prose translations of the songs, updated the bibliography and discography, and made other minor changes. Also included is an essay by Marianne Richert Pfau which delineates the connection between music and text in the Symphonia.Famous throughout Europe during her lifetime, Hildegard of Bingen (1098-1179) was a composer and a poet, a writer on theological, scientific, and medical subjects, an abbess, and a visionary prophet. One of the very few female composers of the Middle Ages whose work has survived, Hildegard was neglected for centuries until her liturgical song cycle was rediscovered. Songs from it are now being performed regularly by early music groups, and more than twenty compact discs have been recorded.

Hildegard of Bingen (1098 '1179) describes the virtue of Fortitude teaching the other virtues in the fire of the Holy Spirit. Like Fortitude, Hildegard was enkindled by the Holy Spirit and edified many with her teaching. Hildegard of Bingen's Homilies on the Gospels are here translated for the first time from Latin into English. Hildegard's sisters recorded and preserved her informal preaching in this collection of homilies on twenty-seven gospel pericopes. As teacher and superior to her sisters, Hildegard probably spoke to them in the chapter house, with the scriptural text either before her or recited from memory, according to Benedictine liturgical practice. The Homilies on the Gospels prove essential for comprehending the coherent theological Vision that Hildegard constructs throughout her works, including the themes of salvation history, the drama of the individual soul, the struggle of virtues against vices, and the life-giving and animating force of greenness (uiriditas). Moreover, the Homilies on the Gospels establish Hildegard as the only known female systematic exegete of the Middle Ages.

Solutions to Thirty-Eight Questions

Benedictine nun, poet and musician, Hildegard of Bingen (1098-1179) was one of the most remarkable figures of the Middle Ages. She undertook preaching tours throughout the German empire at the age of sixty, and was consulted not only by her religious contemporaries but also by kings and emperors, yet it is largely for her apocalyptic and mystical writings that she is remembered. This volume includes selections from her three visionary works, her treatises on medicine and the natural world, her devotional songs, and fascinating letters to prominent figures of her time. Dealing with such eternal subjects as the relationship between humans and nature, and men and women, Hildegard's works show her to be a wide-ranging thinker who created such fresh, startling images and ideas that her writings have been compared to Dante and Blake.

Hildegard of Bingen (1098 - 1179) was the outstanding female religious figure of twelfth-century Germany. A Benedictine nun, she was consulted by bishops, popes, and kings, and wrote copiously for her fellow monastics: mystical and visionary material, liturgical music, biblical commentaries, saints'' lives, and theological explanations of various aspects of church doctrine, as well as treatises on natural science and the healing arts. Her story is important to all students of spirituality, medieval history, and culture.Fr. Hugh Feiss is a Benedictine monk, scholar, and Latin translator, and the author of ''Essential Monastic Wisdom''. Jo Ann McNamara is Professor Emerita of History at Hunter College and at the Graduate Center of the City University of New York, and the author of ''Sisters in Arms: Catholic Nuns through Two Millennia''.

This book is a study of the human weaknesses that separate us from God and it is one of the most subtle and fascinating works ever written on the relationship of various sins to their corresponding virtues. This is the first complete translation of this important medieval visionary work.