Gjør som tusenvis av andre bokelskere
Abonner på vårt nyhetsbrev og få rabatter og inspirasjon til din neste leseopplevelse.
Ved å abonnere godtar du vår personvernerklæring.Du kan når som helst melde deg av våre nyhetsbrev.
Reexamines major African American texts through the lenses of modernism, progressivism, architecture, avant-gardism, hybridity, and Continental theory
These studies should be of use as a resource for those interested in anthropology, sociology, media and literary criticism. The book centres on black British arts, especially film, but also covers such topics as race and representation, and colonial and post-colonial discourse.
Relating the blues to American social and literary history and to Afro-American expressive culture, Baker offers the basis for a broader study of American culture at its vernacular level. He shows how the "blues voice" and its economic undertones are both central to the American narrative and characteristic of the Afro-American way of telling it.
Condemns those black intellectuals who, the author believes, have turned their backs on the tradition of racial activism in America. This work urges black intellectuals to forge both sacred and secular connections with local communities and rededicate themselves to social responsibility.
This text juxtaposes two of the most fertile periods of African-American culture, the 1920s and 1960s. It includes essays on Jean Toomer, Countee Cullen, Amiri Baraka, Larry Neal and Hoyt Fuller, and traces Baker's own beginnings as a scholar of Victorian literature.
Offers an account of the struggle for black modernism in the United States. This book combines historical considerations with psychoanalysis, personal memoir, and whiteness studies to argue that the American South and its regulating institutions - particularly that of incarceration - are at the centre of the African-American experience.
Abonner på vårt nyhetsbrev og få rabatter og inspirasjon til din neste leseopplevelse.
Ved å abonnere godtar du vår personvernerklæring.