Bøker av Hristo Spasov Tsanov

Three Concert Etudes for solo viola belong to a cycle of Etudes for various instruments, titled "Play of the Thought," which provide performers with challenges suitable to prepare them for the repertoire of the 21st century. Dr. Tsanoff was motivated to include works for solo viola in his cycle to refute the notion that the viola should not be expected to handle technically demanding works. The composer also believes that music of the 21st century will increasingly utilize irregular meters, therefore creating the necessity that performers are able to handle such irregular and changing meters to perfection. He has heard many capable and expressive soloists who "become helpless as a child" when confronted with such material, and so this features prominently in these Etudes.

Concert Etude №7 for solo piano is built in polytonality. The work is strongly pianistic and requires exceptionally good performance skills.

Concert etude for Cr. in F, Violoncello and string orchestra

Concert etude for Cl. in B, Fg., Cr. in F and string orchestra from the music cycle: " PLAY OF THE THOUGHT "

Concert etude for Trumpet in C and Trumpet in D from the music cycle " PLAY OF THE THOUGHT "

This concert etude is built in polytonality.

Through a series of seven original reading of beautiful sacred text: Ave Maria [ Luca 1.28 ]. Staff: solo Mezzo-soprano, coro bambini, TTBB, camp., strings and organ

One beautiful Concert etude for also beautiful Clarinet in D.

Opéra comique dans une action de la même comédie par Arkady Timofejevich Averchenko affiliés: Bilèvich - suicide - baryton ingénieur Beregov - son ami, un homme plutôt intelligent - basse Lisa - femme de chambre de Billevich - alt Lieu d'action: 1907, Russie

Incipit lamentatio I. (lamentatio Jeremiae / lamentation of Jeremiah): Baritone-solo, SATB, Picc., Fl., Ob., C.ingl., Fg., Trb. in D, Cr. in F., Trbn. ten., alto Trbn. in Es, Trbn. basso, Timp. / 23", 26", 29", 31" /, Triagle, G.Cassa, organ and strings Panis angelicus I.: Mezzo-soprano solo, SATB, Fl., Ob., Cl. in B., Fg., Cr. in F, Timp. / 23", 26", 29", 31" /, Camp., Arpa, organ and strings

Concert etude for picc.Trb. in B, Trb. in D, Trb. basso in C & string orchestra from the music cycle " PLAY OF THE THOUGHT "

Dixit Simeon ad Maria I. - solo Bass, SATB and organ; Dixit Simeon ad Maria II. - SSAA, TTBB and organ

Three original reading of beautiful sacred Latin text and acconmpaniment, commensurate with the Christian churches: Ave verum corpus Christi No.I. - soloist: Alto and choir: TTBB; No.II. - soloist: Tenor, choir: SSSS and organ; No.III. - choir: SATB

from the music cycle " PLAY OF THE THOUGHT "

Concert etude for Trumpet in C & Trumpet in B

soloists: Basso; choir: SATB & oboe, oboe d'amore, Corno Ingl., heckelphone, violino, violoncello, campani, organ

from music cycle " PLAY OF THE THOUGHT "

Three Concert Etudes for solo viola belong to a cycle of Etudes for various instruments, titled "Play of the Thought", which provide performers with challenges suitable to prepare them for the repertoire of the 21st century. Dr. Tsanoff was motivated to include works for solo viola in his cycle to refute the notion that the viola should not be expected to handle technically demanding works. The composer also believes that music of the 21st century will increasingly utilize irregular meters, therefore creating the necessity that performers are able to handle such irregular and changing meters to perfection. He has heard many capable and expressive soloists who "become helpless as a child" when confronted with such material, and so this features prominently in these Etudes.

Two magnificent sacred text and accompaniment commensurate with the Christian churches: Panis angelicus No.2 - basso-solo, Trbn. alto in Es and organ; Ave maris stella - SSAATTBB and organ

Concert etude for Pan flute, Sheng and Bass clarinet from the music cycle " PLAY OF THE THOUGHT "

from the music cycle " PLAY OF THE THOUGHT "

Concert etude for alto Trombone in Es and Organfrom the music cycle: " PLAY OF THE THOUGHT "

Concert etude with polyrhythm and polytonality. Here the violinist can show technical skills and ... talent.

soloists: Mezzo-soprano filiorum choro et mixta choro (SATB) Fl. in C; Fl in G; 2Ob., Ob. d`amore; corno ingl.; Heckelphon; 2Cl. in B; 2Fg; 4Cr in F; 2Trb. in D; alto Trbn. in Es; tebir Trbn.; basso Trbn.; Organo; Arpa; V-ni I; V-ni II; Viola, Viola d`amore; Vc-llo; C.b. Timp. Campana; G.C.; Trng.; Piatti;

Concert etude for Flute in G and Arpa No.1 from the music cycle " PLAY OF THE THOUGHT "

Concert etude for solo piano No. IV. from the music cycle " PLAY OF THE THOUGHT "

Incipit lamentacio IV. / lamentation of Jeremiah / - SATB; Locus iste II. - SATB; Christus factus est I. - SATBB; Os justi I. - SATB

Adeste fideles læti triumphantes / O come, all ye faithful, joyful and triumphant! / Herbei, o ihr Gläub'gen for solo bass and organ - A music work that took part in the competition " Entscheidung im 8. Europ. Orgel-Kompositionswettbewerb Saarlouis-Lisdorf ", claiming a musical life more than a minute!

Concert etude for Alto Flute in G and Flute in C No.1 from the music cycle " PLAY OF THE THOUGHT "