Bøker av Hubert Damisch

This is the first in a series of books in which one of the most influential of contemporary art theorists revised from within the conceptions underlying the history of art. The author's basic idea is that the rigor of linear perspective cannot encompass all of visual experience and that it could be said to generate an oppositional factor with which it interacts dialectically: the cloud.

Piero della Francesca's "Madonna del Parto", a celebrated fifteenth-century Tuscan fresco in which the Virgin gestures to her partially open dress and her pregnant womb, is unusual in its iconography. This book uses Piero's enigmatic painting to narrate our archaic memories.

One of today's foremost art historians and critics presents a strikingly original view of architecture and the city through the twin lenses of cultural theory and psychoanalysis. In engaging a subject that has been of continuing interest to Damisch over the last 30 years, he develops a unique way of looking at the city and its architecture, the landscape and its spaces.