Bøker av Isak Dinesen

Romantics, adventurers, sensualists, melancholics and dreamers inhabit the bizarre and exotic world conjured up in these seven intricately interwoven tales, whose settings range from Tuscany and Elsinore, to a dhow on its way from Lamu to Zanzibar.Proclaimed a masterpiece on its publication in 1934, this collection is shot through with themes of love and desire - from the maiden lady who now believes herself to have been the grand courtesan of her time, to the Count whose wife is so jealous that she cannot bear him to admire her jewels, and Lincoln Forsner, an Englishman whose search for a woman he met in a brothel leads him into many strange adventures.

In this book, the author of "Seven Gothic Tales gives a true account of her life on her plantation in Kenya. She tells with classic simplicity of the ways of the country and the natives: of the beauty of the Ngong Hills and coffee trees in blossom: of her guests, from the Prince of Wales to Knudsen, the old charcoal burner, who visited her: of primitive festivals: of big game that were her near neighbors--lions, rhinos, elephants, zebras, buffaloes--and of Lulu, the little gazelle who came to live with her, unbelievably ladylike and beautiful. The Random House colophon made its debut in February 1927 on the cover of a little pamphlet called "Announcement Number One." Bennett Cerf and Donald Klopfer, the company's founders, had acquired the Modern Library from publishers Boni and Liveright two years earlier. One day, their friend the illustrator Rockwell Kent stopped by their office. Cerf later recalled, "Rockwell was sitting at my desk facing Donald, and we were talking about doing a few books on the side, when suddenly I got an inspiration and said, 'I've got the name for our publishing house. We just said we were go-ing to publish a few books on the side at random. Let's call it Random House.' Donald liked the idea, and Rockwell Kent said, 'That's a great name. I'll draw your trademark.' So, sitting at my desk, he took a piece of paper and in five minutes drew Random House, which has been our colophon ever since." Throughout the years, the mission of Random House has remained consistent: to publish books of the highest quality, at random. We are proud to continue this tradition today. This edition is set from the first American edition of 1937 and commemorates theseventy-fifth anniversary of Random House.

If one theme unifies the 11 tales collected here, it is that of longing. Written after her return from Kenya and during the dark days of the Nazi occupation, they derive their themes and locales from Isak Dinesen's childhood in Denmark. Isak Dinesen was the pen-name of Karen Blixen, who was born in Rungsted, Denmark in 1885. After studying art at Copenhagen, Paris and Rome, she married her cousin, Baron Bror Blixen-Finecke, in 1914. Together they went to Kenya to manage a coffee plantation. After their divorce in 1921, she continued to run the plantation until a collapse in the coffee market forced her back to Denmark in 1931.

From the moment Karen Blixen arrived in Kenya in 1914 to manage a coffee plantation, her heart belonged to Africa. Drawn to the intense colours and ravishing landscapes, Karen Blixen spent her happiest years on the farm. This book presents her experiences and friendships with the people around her.

Lucan has been orphaned and Zosine has been deserted, and London is a hostile place for two young girls without a home. Bound together by poverty, grief and their shared years at school, they set out to make a future for themselves in new surroundings. They are adopted by the austere, puritanical Reverend Pennhallow and his wife, and in their large, gloomy house they become immersed in study. But, after a chain of disturbing events, it does not take long before they realize that the cleric and his wife are not all they seem to be ...

Isak Dinesen takes up the absorbing story of her life in Kenya begun in the unforgettable Out of Africa, which she published under the name of Karen Blixen. With warmth and humanity these four stories illuminate her love both for the African people, their dignity and traditions, and for the beauty and wildness of the landscape. The first three were written in the 1950s and the last, 'Echoes from the Hills', was written especially for this volume in the summer of 1960 when the author was in her seventies. In all they provide a moving final chapter to her African reminiscences.