Bøker av Ivan Turgenev

The most cosmopolitan of all Turgenev's works Smoke sketches the intricacies of the aristocratic and Young Russia parties at a time when Russia was changing from the philosophical Nihilism of the 1860s to the more politically active Nihilism of the 1870s.

Stepniak states in his introduction to the text in 1894 Rudin's 'enthusiasm is contagious because it is sincere, and his eloquence is convincing because devotion to his ideals is an absorbing passion with him.

Michael R. Katz's acclaimed translation of Turgenev's greatest novel is again the basis for this Norton Critical Edition.

Knock, Knock, Knock and Other Stories includes Knock, Knock, Knock, The Inn, Lieutenant Yergunov's Story, The Dog and The Watch.

A difficult and uncompromising short tale by the Russian master Turgenev, and four additional tales. Five short tales by Turgenev: The Jew, An Unhappy Girl, The Duellist, Three Portraits and Enough, in Constance Garnett's classic 1900 translation.

Six tales written by Turgenev between 1847 and 1881, in Constance Garnett's classic 1899 translation: A Desperate Character, A Strange Story, Punin and Baburin, Old Portraits, The Brigadier and Pyetushkov.

"Turgenev (1818-1883) tends to be seen in Chekhov's shadow, yet his plays pre-date Chekhov's work by nearly half a century. A Month in the Country is Turgenev's acknowledged masterpiece. This selection not only reveals the extent of Turgenev's achievement as a dramatist, but sheds an interesting light on the great novels that followed.

When Arkady Petrovich comes home from college, his father finds his eager, naive son changed almost beyond recognition, for the impressionable Arkady has fallen under the powerful influence of the friend accompanying him. A self-proclaimed nihilist, the ardent young Bazarov shocks Arkady's father by criticizing the landowning way of life and by his outspoken determination to sweep away the traditional values of contemporary Russian society. Turgenev's depiction of the conflict between generations and their ideals stunned readers when Fathers and Sons was first published in 1862. But many could sympathize with Arkady's fascination with the nihilistic hero whose story vividly captures the hopes and regrets of a changing Russia.

Turgenev's masterpiece about the conflict between generations is as fresh, outspoken, and exciting today as it was in when it was first published in 1862.

On one level the novel is about the homecoming of Lavretsky, who, broken and disillusioned by a failed marriage, returns to his estate and finds love again - only to lose it. The sense of loss and of unfulfilled promise, beautifully captured by Turgenev, reflects his underlying theme that humanity is not destined to experience happiness except as something ephemeral and inevitably doomed. On another level Turgenev is presenting the homecoming of a whole generation of young Russians who have fallen under the spell of European ideas that have uprooted them from Russia, their 'home', but have proved ultimately superfluous. In tragic bewilderment, they attempt to find reconciliation with their land.

Returning to Russia from Italy, twenty-three-year-old Dimitry Sanin breaks his journey in Frankfurt. There, he encounters the beautiful Gemma Roselli and falls in love. He decides to begin a new life and sell his Russian estates. But when he meets the potential buyer, Madame Polozov, his vulnerability makes him prey for a destructive infatuation.

When the down-at-heel Princess Zasyekin moves next door to the country estate of Vladimir Petrovich's parents, he instantly and overwhelmingly falls in love with his new neighbour's daughter, Zinaida. But the capricious young woman already has many admirers and as she plays her suitors against each other, Vladimir's unrequited youthful passion soon turns to torment and despair - although he remains unaware of his true rival for Zinaida's affections. Set in the world of nineteenth-century Russia's fading aristocracy, Turgenev's story depicts a boy's growth of knowledge and mastery over his own heart as he awakens to the complex nature of adult love.

These stories of the 19th-century Russian rural landscape and the difficult life of those who inhabited it were universally popular with the reading public at large and contributed in no small measure to the emancipation of the serfs in 1861.