Bøker av Jack Kerouac

On the Road swings to the rhythms of 1950s underground America, jazz, sex, generosity, chill dawns and drugs, with Sal Paradise and his hero Dean Moriarty, traveller and mystic, the living epitome of Beat. Now recognized as a modern classic, its American Dream is nearer that of Walt Whitman than Scott Fitzgerald, and it goes racing towards the sunset with unforgettable exuberance, poignancy and autobiographical passion.Contains an introduction by Ann Charters, as well as suggestions for further reading of acclaimed criticisms and references.

In 1960 Jack Kerouac was near breaking point. Driven mad by constant press attention in the wake of the publication of On the Road, he needed to 'get away to solitude again or die', so he withdrew to a cabin in Big Sur on the Californian coast. The resulting novel, in which his autobiographical hero Jack Duluoz wrestles with doubt, alcohol dependency and his urge towards self-destruction, is one of Kerouac's most personal and searingly honest works. Ending with the poem 'Sea: Sounds of the Pacific Ocean at Big Sur', it shows a man coming down from his hedonistic youth and trying to come to terms with fame, the world and himself.

The Subterraneans haunt the bars and clubs of San Francisco, surviving on a diet of booze and benzedrine, Proust and Verlaine. Living amongst them is Leo, an aspiring writer, and Mardou, half-Indian, half-Negro, beautiful and neurotic. Their bitter-sweet and ill-starred love affair sees Kerouac at his most evocative. Many regard this as being Kerouac's most touching and tender book.

This semi-autobiographical tale of Kerouac's own trip to France, to trace his ancestors and explore his own understanding of the Buddhism that came to define his beliefs, contains some of Kerouac's most lyrical descriptions. From his reports of the strangers he meets and the all-night conversations he enjoys in seedy bars in Paris and Brittany, to the moment in a cab he experiences Buddhism's satori - a feeling of sudden awakening - Kerouac's affecting and revolutionary writing transports the reader. Published at the height of his fame, Satori in Paris is a hectic tale of philosophy, identity and the powerful strangeness of travel.

An experimental novel which remained unpublished for years, Visions of Cody is Kerouac's fascinating examination of his own New York life, in a collection of colourful stream-of-consciousness essays. Transcribing taped conversations between members of their group as they took drugs and drank, this book reveals an intimate portrait of people caught up in destructive relationships with substances, and one another. Always fixated by Neal Cassady - the Cody of the title, renamed for the book along with Allen Ginsberg and William Burroughs - Kerouac also explores the feelings he had for a man who would inspire much of his work.

Renowned for his Beat Generation novel "On the Road", Jack Kerouac was also a master of the haiku, the three-line, seventeen-syllable Japanese poetic form. Written by a Kerouac scholar, this work supplements a core haiku manuscript from Kerouac's archives with a generous selection of the rest of his haiku, from various sources.

In spontaneous, direct, and concrete verses, the author confesses his joy in poetry and life.

THE DHARMA BUMS appeared just one year after the author's explosive ON THE ROAD had put the Beat Generation on the literary map and Kerouac on the best-seller list. The same expansiveness, humour and contagious zest for life that sparked the earlier novels sparks this one too, but through a more cohesive story. The books follow two young men engaged in a passionate search for dharma or truth. Their major adventure is the pursuit of the Zen way, which takes them climbing into the high sierras to seek the lesson of solitude.With an Introduction by Kerouac expert, Ann Douglas.

A brand new volume of previously unpublished writings from the archives reflecting Jack Kerouac’s Buddhist thinkingFrom a young age Kerouac was a spiritual thinker and questioner, and he always considered himself a spiritual writer. Buddhism gave more meaning to Jack’s work as a writer: he was working not for personal accomplishment and glory but for human betterment. And Buddhism justified his lifestyle: with its vision of the material world as empty and illusory, he was free to do what he wanted.This collection shows Jack at his earnest, soulful best. The writing is consistently and wonderfully Kerouacian: it is honest, reflective, heartfelt, and revealing, with great characterizations amid his self-exploration as he wrestles with his consciousness, desperate for belief.

Big Sur, first published in 1962, was written by author and poet Jack Kerouac in the fall of 1961 over a ten-day period. This Penguin edition reprint recounts Kerouac's (here known by the name of his fictional alter-ego Jack Duluoz) three brief stays at a cabin in Bixby Canyon, Big Sur, California, owned by Kerouac's friend and Beat poet Lawrence Ferlinghetti. The novel depicts Jack Duluoz's mental and physical deterioration. Despite his mainstream success with his earlier novels, Duluoz is unable to cope with his new-found fame and advancing alcoholism. He attempts to recover first in solitude in the cabin at Big Sur, and later in a relationship with Billie, the mistress of his long-time friend Cody Pomeray (in real life Neal Cassady). Duluoz is driven by loneliness to return to the city and resumes drinking heavily. An addendum to the book contains a free-verse poem by Kerouac: "Sea: Sounds of the Pacific Ocean at Big Sur", written from the perspective of the Pacific Ocean. A film adaptation of Big Sur, directed by Michael Polish, was released in 2013.

Réussissez votre bac de français 2024 grâce à notre fiche de lecture du roman Sur la route de Jack Kerouac !Validée par une équipe de professeurs, cette analyse littéraire est une référence pour tous les lycéens.Grâce à notre travail éditorial, les points suivants n'auront plus aucun secret pour vous : la biographie de l'écrivain, le résumé du livre, l'étude de l'oeuvre, l'analyse des thèmes principaux à connaître et le mouvement littéraire auquel est rattaché l'auteur.

A photographic accompaniment to On the Road by Jack Kerouac. Carl M. Moore was itching to go on a photographic road trip. He decided to go on the road with On the Road. To see things Jack Kerouac saw and to try and capture images that compliment his metaphorical vision. Trips to Denver, New Orleans, San Francisco, and a car road trip with his son from Santa Fe to New England, along with a few existing images in his photo archive, provide the photos in the book.

A book of letters revealing the inner desires and turmoils of Jack Kerouac after his rise to literary acclaim in the 1960s. In 1960, Jack Kerouac began a correspondence with a New York artist by the name of Jacques Beckwith. The basic subject of their letters was always the same. They each longed to build a cabin in the forest which would serve as a retreat from the pressure and disappointment of the outside world. "I want to live in the woods where I don't even have to think about this evil world of wars and dishonesties," Kerouac wrote. Beckwith offered to help Jack design and build his retreat, but after years of planning only Jacques realized the dream. The world was too much with Kerouac. Alcoholism, a paternity suit, travel, the demands of a writing career, marriage, and eventually his mother's declining health kept him from making his break. These letters document all these distractions and frustrations and reveal Kerouac's desire for the solitude which Beckwith found in the New England woods.

Truth and Beautiful Meaningful Lies is a collection of memorable quotes from one of the most quoted writers in American literature.One of the most celebrated writers in American literature, Jack Kerouac helped an entire generation of post-WWII Americans explore a purpose beyond the standard narrative values, spiritual ideologies, and economic materialism that was rampant throughout pre-war America. Alongside prominent beat writers like Allen Ginsberg and William S. Burroughs, Kerouac crafted a magnum opus that would later be connected to counterculture movements throughout the 1960s.His extensive collection of novels, short stories, poetry, journals, letters, and other writings are often littered with long-winded reflections, observations, proclamations, and other mad ramblings about life, love, loss, loneliness, and the search for a new American identity. Constantly pivoting from a recluse searching "...once and for all what is the meaning of all this existence and suffering and going to and fro in vain," to a seasoned road-warrior exploring the country and sifting through the profound philosophies of Zen Buddhism, Taoism, and the meaning of Dharma, Kerouac's spontaneous style of prose generates a kind of unpolished wisdom that leaves a lasting impression long after reading.The insights and quotes assembled in this book have been woven into a patchwork of reoccurring themes found throughout Kerouac's writings, such as adventure, life, self-reflection, and spirituality are heavily featured, but more niche quotes around topics like cats, coffee, music, and sports can also be found. This collection pulls from prominent novels such as Big Sur, Desolation Angels, The Dharma Bums, On the Road: The Original Scroll, The Subterraneans, Tristessa, Vanity of Duluoz, and Visions of Cody, as well as some of his selected short stories, poems, letters, and journals.Whether you're new to Kerouac, searching for inspiration in his words, or are a self-proclaimed "mad one" looking to make sense of it all, this quote book will undoubtedly serve as a go-to reference for the discerning Kerouac reader.

This newly-revised edition-originally published in 1973-of the haiku Jack Kerouac, Albert Saijo, and Lew Welch jotted down on the road from San Francisco to New York in 1959, are dense, earthy incarnations of life on the road: "A coral colored Cadillac/ in Texas/ Threw gravel all over us, / our beat jeep/ -Our windshield is nicked/ but our eyes/ are/ CLEAR..." Albert recounts their November trip in Lew's Jeepster, making the big city scene, visiting Jack's home in Northport on Long Island, and the long drive back west. The book also includes letters to Kerouac from Lew Welch in Reno.

The first major work by Jack Kerouac- written during his stint as a Merchant Marine and never before published in its entirety.

In 1959 Avon Books published Jack Kerouac''s tender look back at his high school years in Lowell, Massachusetts, Maggie Cassidy. One particular passage in the book, written in the form of a letter, contained certain thermo-nuclear profanities that weren''t widely accepted in literature, even Beat literature, of that time period. As soon as Maggie Cassidy hit the shelves it upset bookstore owners and book distributors enough that the book was pulled, the passages rewritten, and a new, more politely correct version was issued and republished over the decades to come. The original manuscript has not been republished until Devault-Graves learned of the original version that Kerouac is said to have fought for before the decision was made to excise and rewrite those passages. Devault-Graves now proudly restores the original novel, complete and uncensored.Book description: In Jack Kerouac''s teenage years his friends gave him a nickname that was prescient and stuck with him throughout his life--Memory Babe. Kerouac was able to conjure up scenes from his childhood and adolescence that astounded his friends with their precision and detail. This talent was to serve him well as a novelist, enabling him to recall long segments of conversation that he could instantly pound out on his typewriter. Maggie Cassidy is one of Kerouac''s most nostalgic recollections of his past, focusing on his first true love when he was a high school senior and a local star athlete. Filled with the sweet innocence of youth and the daily heartbreak of quarrels and unfulfilled sexual yearnings, Kerouac employs his stylishly Beat observations toward the bygone era of pre-World War II Lowell, Massachusetts, when he was torn between the companionship of his gang of buddies and the sirens'' call of the opposite sex. In addition to his romance with the title character, Kerouac is especially evocative in reproducing the slangy teen-speak of the late 1930s and in detailing how he went from a precocious local boy in Lowell to an exclusive New York prep school where he was to later meet the brilliant young men who would begin the Beat Movement.

In On the Road and other iconic works, Jack Kerouac created a quintessentially American voice and a revolutionary prose style. This remarkable gathering of previously unpublished writings reveals as never before the extraordinary literary journey that led to his phenomenal success-a journey with deep roots in the language and culture of Kerouac's French Canadian childhood.Edited and published with unprecedented access to the Kerouac archives, The Unknown Kerouac presents two lost novels, The Night Is My Woman and Old Bull in the Bowery, which Kerouac wrote in French during the especially fruitful years of 1951 and 1952. Discovered among his papers in the mid-nineties, they have been translated into English for the first time by Jean-Christophe Cloutier, who incorporates Kerouac's own partial translations.Also included are two journals from the heart of this same crucial period. In Private Philologies, Riddles, and a Ten-Day Writing Log, Kerouac recounts a brief stay in Denver-where he works on an early version of On the Road, reads dime novels, and even rides in a rodeo-and shows him contemplating writers like Chaucer and Joyce and playing with riddles and etymologies. Journal 1951, begun during a stay in a Bronx VA hospital, charts, in ecstatic, moving, and self-revealing pages, the wave of insights and breakthroughs that led Kerouac to the most singular transformation of American prose style since Hemingway.This landmark volume is rounded out with the memoir Memory Babe, a poignant evocation of childhood play and reverie in a robust immigrant community, in which Kerouac uncannily retrieves and distills the subtlest sense impressions. And finally, in an interview with his longtime friend and fellow Beat John Clellon Holmes and in the late fragment Beat Spotlight Kerouac reflects on his meteoric career and unlooked for celebrity.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Described by Kerouac as being about "e;man's simple revolt from society as it is, with the inequalities, frustration, and self-inflicted agonies"e;, the 158-page handwritten manuscript was Kerouac's first novel, but was not published during his lifetime. He wrote in his notes for the project that the characters were "e;the vanishing American, the big free by, the American Indian, the last of the pioneers, the last of the hoboes"e;. The novel follows the fortunes of Wesley Martin, a man who Kerouac said "e;loved the sea with a strange, lonely love; the sea is his brother and sentences. He goes down."e;Jack began this work not long after his first tour as a Merchant Marine on the S.S. Dorchester in the late summer of 1942 during which he kept a journal detailing the gritty daily routine of life at sea. Inspired by the trip, which exemplified Jack's love for adventure and the character traits of his fellow shipmates, the journals were spontaneous sketches of those experiences that were woven into a short novel soon after disembarking from the S.S. Dorchester in October of 1942.