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Bøker av Jacques Jouet

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  • av Jacques Jouet
    130

    Poetic, comic, obsessed with minutiae, My Beautiful Bus is a welcome dose of serious frivolity at the expense of the contemporary novel. Based on an actual bus trip across France taken by Oulipo-member Jacques Jouet in the late '80s, his fictional reconstruction of the experience twenty years later focuses not so much on the scenery as on the possibilities offered an author by the eponymous vehicle and its occupants. With detours through everything from Puss in Boots to Pascal's maxims, we are introduced to each eccentric passenger as they climb aboard (one, for example, claims to have a corpse in his luggage), every character bringing us one step further into Jouet's imaginative universe: their conversations, preoccupations, reactions, and possibilities taking their places as elements of a fiction in the narrator's mind. In the final pages it becomes clear that the book itself is a sort of bus, boarded impulsively and with no fixed destination in mind, and that it has carried its readers to places they could not have imagined.

  • av Jacques Jouet
    150,-

  • av Jacques Jouet
    155

    Two minutes into the second act, there is a knock on Nicolas Boehlmer's dressing-room door, just as he's smoking his last cigarette before having to go back on stage . . . and, without thinking, he says, "e;Come in,"e; still in character. He quickly finds himself bound, gagged, and stripped by a man who appears to be his mirror image: costumed in the same wig, make-up, and clothes. Nicolas is powerless to prevent his usurper from going out and playing his role-with increasingly ridiculous consequences. Is this "e;upstaging"e; the act of a depraved amateur? Sabotage by a rival? A piece of guerrilla theater? A political statement? Whatever the cause, Nicolas and his fellow actors soon find their play-and their lives-making less and less sense, as the parts they play come under assault by this irrational intruder.

  • av Jacques Jouet
    140

    Based on the life of Post-Impressionist painter Paul Gauguin, Jacques Jouet's "Savage" compels the reader to ask whether it is the primitive or the civilized man who is savage. At the height of the Belle ?poque, an eccentric young clothing designer searches for inspiration and identity as an artist among the "savage" peoples of France's colonies. Influenced by several exotic lovers, a quirky "vieille" dame, and ?douard Manet himself, Paul's increasingly unconventional designs parallel his increasingly unbalanced state of mind as he struggles to find a market for his work among the haute bourgeoisie. The failure of this venture, coupled with psychosis due to an untreated illness, ultimately leads to his demise.

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