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An anthology of the poetry of James Byrne, a retired public servant from Navan, Co. Meath. His poetry is sometimes funny, often dark, and at timesalmost prayerful.
In this sequel to the highly praised The Gatekeeper, Dez Limerick, one of the best new thriller heroes returns.Desmond Aloysius Limerick ("Dez" to his friends and close personal enemies) is a man with a shadowy past, certain useful hard-won skills, and, if one digs deep enough, a reputation as a good man to have at your back. Now retired from his previous life, Dez is just a bloke with a winning smile, a bass guitar, and bullet wounds that paint a road map of past lives.Jaleh Swann, a business journalist hot on the trail of an auditor who was mugged and killed, lands in the hospital just one day after her Portland apartment is ransacked. When Jaleh's sister, Raziah, reaches out to an old friend for help, Dez has no choice but to answer. The Swann sisters have been pulled into a dizzying web of cover-ups and danger. At the center lies an insidious Oregon-based tech corporation, Clockjack, which has enough money and hired guns to silence just about anyone-including this rag-tag trio. Luckily, Dez's speciality is not just to open doors, but keep them open-and protect those working to expose Clockjack's secrets.More stands in the way of the truth than just one corporation. When hired thugs come to the finish the job and attack the Swann sisters at the hospital, Dez does what he does best. Now, the two captured men (and the corpse Dez left behind) attract the attention of not just Clockjack, but of the Portland police, the D.E.A, and the U.S. Marshalls. Dez and the Swann sisters are on the run from powers beyond their control and means. Outnumbered, under resourced and outgunned, Dez must use all his skills to keep his friends safe and stand up to corporate conniving. After all, the one thing Clockjack didn't count on? A good man with a simple job to do.
James Byrne is a widely-travelled poet and editor, and in this, his 4th book from Arc, he reflects on the places, their histories and people that have made a lasting impression on him. So vivid are his descriptions of his travels that the reader is enveloped in colours, sounds, scents and surrounded by people.
Latin America is known to be producing some of the most exciting literature in the world today. With the region's rich intersecting traditions, history of migrations, political movements, and commitment to poetic innovation, the women poets who are currently working there are some of the fiercest and most creative voices in the 21st century.
White Coins rewards the reader with a nomadic poetry for the 21st century; one that mingles personal, social and historical spaces whilst celebrating, at all times, linguistic versatility and innovation.
These poems were written to accompany the Los Caprichos images, originally published by Francisco Goya on February 6th, 1799. The images are part of the original `Prado' manuscript, republished by Dover Publications in 1969.
In this precocious first collection, James Byrne explores the transitory process of time, connecting past and present through intricate attention to themes of childhood, love and nature.
James Byrne is Editor and cofounder of The Wolf poetry magazine. Blood / Sugar, his second collection, sparkles with wit and irony. He maintains great technical proficiency in his verse structuring, moving effortlessly between the 'tradition' and the 'innovation' to shape poems that brim with lyricism and confidence. Byrne is a complete original.
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