Bøker av James Elmes

This book provides a comprehensive account of the urbanization and industrialization of London in the 19th century, and the impact of these changes on the city's physical layout, social landscape, and cultural identity. The authors offer a detailed analysis of the major architectural, engineering, and infrastructural projects that transformed London into a modern metropolis, and explore the broader historical and cultural contexts that shaped these developments. This is an essential resource for scholars, students, and anyone interested in the history of London or urban studies.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We have represented this book in the same form as it was first published. Hence any marks seen are left intentionally to preserve its true nature.

James Elmes (1782-1862), the son of a builder, trained at the Royal Academy Schools as an architectural designer, but his career encompassed publishing and writing on architecture as well. A friend of Benjamin Robert Haydon and his circle, he was the first publisher (in his Annals of Fine Arts) of Keats' most famous odes. This work - the first biography of Wren - was published in 1823, and is dedicated to the President and Fellows of the Royal Society, of which Wren was a founder member in 1660. Elmes based his work on the so-called 'Parentalia', or notes on the Wren family compiled by his son (also Christopher), and privately printed by his grandson Stephen in 1750. Elmes puts Wren's life and works into the context of the intellectual ferment of Restoration England, and combines the narrative of Wren's life with an architectural commentary on his most important works.