Gjør som tusenvis av andre bokelskere
Abonner på vårt nyhetsbrev og få rabatter og inspirasjon til din neste leseopplevelse.
Ved å abonnere godtar du vår personvernerklæring.Du kan når som helst melde deg av våre nyhetsbrev.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In The Redskins we have the third and last work of the anti-rent series, in which the crisis is reached, and the cupidity and lawless spirit of the disorderly faction appear in their true light. "You well know that I am no advocate for any government but that which is founded on popular right, protected from popular abuses," -- were words which Mr. Fenimore Cooper had written many years earlier. And now, in the hour of danger, to aid in protecting these rights of the people, against their abuse by the evil-minded among themselves, he held to be a high duty of every honest, and generous, and intelligent citizen. "As democrats, we protest most solemnly against such barefaced frauds, such palpable cupidity and covetousness being termed any thing but what they are. Democracy is a lofty and noble sentiment. It is just, and treats all men alike. It is not the friend of a canting legislation, but meaning right, dare act directly. There is no greater delusion than to suppose that true democracy has any thing in common with injustice or roguery. Nor is it any apology to anti-rentism, in any of its aspects, to say that leasehold tenures are inexpedient. The most expedient thing in existence is to do right. Were there no other objection to the anti-rent movement than its corrupting influence, that alone should set every wise man in the community firmly against it." James Fenimore Cooper (1789-1851) was an American novelist, travel writer, and social critic, regarded as the first great American writer of fiction. He was famed for his action-packed plots and his vivid, if somewhat idealized, portrayal of American life in the forest and at sea.
Lionel Lincoln presented Cooper with the problems of writing a Revolutionary tale with a Loyalist American hero, and of two mentally disordered characters; as part of his intention for a Revolutionary series. The author himself was dissatisfied with his work. In his own opinion, a tale connected with the wonderful siege of Boston, and the memorable battle of Bunker Hill, should have presented some more striking character to the reader than that of Lionel Lincoln. James Fenimore Cooper (1789-1851) was an American novelist, travel writer, and social critic, regarded as the first great American writer of fiction. He was famed for his action-packed plots and his vivid, if somewhat idealized, portrayal of American life in the forest and at sea.
The Oak Openings - the last of Cooper's twelve Indian tales - was commenced on New Year's day of 1848, and written in the course of the following winter and spring. James Fenimore Cooper (1789-1851) was an American novelist, travel writer, and social critic, regarded as the first great American writer of fiction. He was famed for his action-packed plots and his vivid, if somewhat idealized, portrayal of American life in the forest and at sea.
This tale of the sea was written in 1847-48, and during the same year J. Fenimore Cooper was still occupied with the Naval Biographies, and also with The Crater. It was very seldom that he was actually engaged in writing two novels at the same time, but such was the case with The Crater and Jack Tier. The last, however, appeared as a monthly serial in "Graham's Magazine," and under the title of Rose Budd. When completed it was reprinted in a book form, and the name was changed to one much more appropriate. The date is the period of the Mexican War, when peace had only been proclaimed a few months earlier. The opening scenes occur at the wharves of New York and in Long Island Sound, where the Water-Witch had appeared nearly twenty years before. There is not the least similarity, however, between the plots or the incidents of the two books. It is indeed remarkable that after writing so large a number of tales of the sea, there should be still so much freshness and variety, in the latest of the series, both in the plot and in the details of the narrative. James Fenimore Cooper (1789-1851) was an American novelist, travel writer, and social critic, regarded as the first great American writer of fiction. He was famed for his action-packed plots and his vivid, if somewhat idealized, portrayal of American life in the forest and at sea.
HarperCollins is proud to present its range of best-loved, essential classics.'Death and honour are thought to be the same, but today I have learned that sometimes they are not.'Set in frontier America in the midst of the French-Indian war, as the French are attempting to overthrow an English fort, Cooper's story follows Alice and Cora Munro, pioneer sisters who are trying to find their way back to their father, an English commander. Guided by an army major and Magua, an Indian from the Huron tribe, they soon meet Hawk-eye, a frontier scout and his Mohican Indian companions Chingachgook and Uncas.Magua is not all that he seems and the sisters are kidnapped. In The Last of the Mohicans, Cooper sets Indian tribe against Indian tribe and lays bare the brutality of the white man against the Mohicans.
Offering the readers a variation on the traditional captivity narrative of the time of Mohicans, this title features appendices that include illustrations, responses to the novel, historical sources, and documents on the Cherokee removal.
Abonner på vårt nyhetsbrev og få rabatter og inspirasjon til din neste leseopplevelse.
Ved å abonnere godtar du vår personvernerklæring.