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As the Texas Poet Laureate of 2000, James Hoggard writes beautifully on themes of love, loss, and nature. His unique voice, visual imagery, and carefully crafted syntax take his audience on a journey from Texas to Paris, Taos to Rome, and into their own pasts.
James Hoggard's new collection of poems is an elegant, highly energetic volume that takes its readers through a wealth of settings, times, and forms. As versatile a poet as there is, Hoggard time and again turns his attention to forms like pantoum and ghazals that heighten the readers' responses to the stories he tells in verse.
The more than two dozen personal essays in this new collection by one of Texas's master storytellers range from travel pieces about Havana and London to stories about small-town exotics that are funny, nervy, outlandish, and characterized by James Hoggard's sly wit. Fast-paced, yet at the same time reflective, Hoggard guides his readers into some of the wonderfully strange turns of the world.
In the north Texas oil-boom town of Kiowa Falls, civilization is just beginning to overtake frontier chaos. Ru-Marie, the daughter of the town's mayor, is a well-read, young romantic and budding artist. Her tastes in love-her parents insist-are less refined. As they throw off the sham of sophistication, a family war erupts and, with it, frontier justice.
Conjuring the voice of Edward Hopper, this powerful collection of poetry investigates the mind of an iconic American painter. Lyrical and beautifully crafted, the poems convey both frightening and amusing messages as "e;Hopper"e; commentates on his own paintings-from the iconic Nighthawks to his depiction of his wife and himself taking a final bow in Two Comedians-as well as those of other artists. Shocking in their honesty, these poems also provide a window into the American Modernist period due to their biographical nature and evaluations of the visual arts.
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