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This book is a collection of humorous recitations in verse, many of which are centered around the topic of public schools in England. The author, James Rondeau, employs clever wordplay and witty commentary to poke fun at the various quirks and idiosyncrasies of the British educational system. This book is sure to delight anyone with an appreciation for clever humor and satire.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
"With a rigorous approach and self-imposed limitations to both scale and composition, Tomma Abts (b. 1967) has reinvigorated painterly abstraction and its relevance within contemporary art. Using a fixed canvas size and a vertical format, Abts deploys basic formal elements such as arcs, circles, planes, and stripes to create powerful works that are at once subtle and eccentric. This extraordinary book, designed in collaboration with the artist herself, is a substantial and deeply insightful treatment of her career to date and features sixty works made over the past decade. Essays not only contextualize Abts's work within an art-historical framework of methods, process, and style, but also examine her paintings' philosophical and psychological dimensions and their embodiment of a creative process that transcends the specifics of any particular work. The beautifully designed and illustrated exhibition catalogue examines both the art-historical framework of Tomma Abts's painting as well as its deep philosophical and psychological dimensions. James Rondeau is president and Eloise W. Martin Director of the Art Institute of Chicago. Lizzie Carey-Thomas is head of programs at the Serpentine Galleries in London. Kate Nesin is an independent art historian. Juliane Rebentisch is a professor of philosophy and aesthetics at the Offenbach University of Art and Design in Berlin"--
An updated selection of key paintings at the Art Institute of Chicago, featuring works from around the globe and dating from ancient Egypt to the present day
"Marking an important moment in the Art Institute of Chicago's 136-year history, this book documents an exceptional gift to the museum: the Edlis/Neeson Collection, consisting of 44 stellar works of contemporary art. Among the highlights are major paintings by some of the 20th century's best-known artists, including Jasper Johns, Roy Lichtenstein, Robert Rauschenberg, Gerhard Richter, Cy Twombly, and Andy Warhol. Also included in the gift are paintings, photographs, and sculptures by icons of contemporary art such as Damien Hirst, Jeff Koons, and Cindy Sherman. This catalogue places the Edlis/Neeson Collection in direct dialogue with works already in the Art Institute's holdings. An essay by James Rondeau situates the gift in the context of the museum's history and uses it to illustrate the growth and development of Pop Art. Most importantly, this book celebrates a transformative gift that allows the Art Institute to claim the most important collection of modern and contemporary art in any encyclopedic institution in the world"--
Donna and Howard Stone, two of Chicago's premier art patrons, have collected works of art in all media for more than 30 years, building one of the most distinguished private collections of contemporary art in the country. This title looks at the entire collection and highlights pieces included in the exhibit.
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