Bøker av Jane Austen

The novel Mansfield Park recounts the long tale of Fanny Price, beginning when her overburdened family sends her at ten years old to reside in the family of her affluent auntie and uncle and following her growth into early adulthood. From almost immediately basic translation has been assorted, varying especially over the personality of the female protagonist, Austen's perspectives about dramatic execution and the centrality or in any case of appointment and religion, and on the subject of servitude. A portion of these issues has been featured in the few later transformations of the story for stage and screen.

Lady Susan is a short epistolary novel by Jane Austen, perhaps written in 1794 but not distributed until 1871. This early complete work, which the creator never submitted for distribution, depicts the plans of the title character. Lady Susan Vernon, a lovely and enchanting ongoing widow, visits her brother-in-law (late spouse's sibling) and sister-in-law, Charles and Catherine Vernon, with minimal notification ahead of time at Churchill, their nation home. Catherine is not even close to satisfied, as Lady Susan had attempted to forestall her union with Charles and her undesirable visitor has been portrayed to her as "the most achieved flirt in England". Among Lady Susan's victories is the hitched Mr. Manwaring. Catherine's sibling Reginald shows up seven days after the fact, and he does not withstand Catherine's solid alerts about Lady Susan's personality, and soon, he is captivated by her. Lady Susan plays with the young man's warm gestures for her entertainment and later because she sees it, makes her sister-in-law uncomfortable. Her friend, Mrs. Johnson, to whom she composes now and again, suggests she wed the truly qualified Reginald, yet Lady Susan believes him to be incredibly substandard compared to Manwaring. Frederica, Lady Susan's 16-year-old girl, attempts to take off from school when she learns of her mom's arrangement to wed her off to a well however vapid youngster she hates. She additionally turns into a visitor at Churchill. Catherine comes to like her - her personality is not like her mom's - and as time passes by, recognizes Frederica's developing connection to the careless Reginald. Afterward, Sir James Martin, Frederica's undesirable admirer, appears excluded, causing her a deep sense of pain and her mom's vexation. At the point when Frederica asks Reginald for help out of franticness (having been prohibited by Lady Susan to go to Charles and Catherine), this causes an impermanent break between Reginald and Lady Susan, however the last option before long fixes the burst. Lady Susan chooses to get back to London and wed her little girl off to Sir James. Reginald follows, still beguiled by her charms and purpose of getting married to her, yet he experiences Mrs. Manwaring at the home of Mr. Johnson and lastly learns how Lady Susan is an actual person. Lady Susan winds up wedding Sir James herself, and permits Frederica to live with Charles and Catherine at Churchill, where Reginald De Courcy "could be talked, complimented, and finessed into a fondness for her."

Emma was composed between January 1814 and March 1815, and distributed in 1815. The title character, Emma Woodhouse, is sovereign of her little local area. She is wonderful and affluent. She has no mother; her particular, delicate dad forces no checks on either her way of behaving or her smugness. Every other person in the town is respectfully lower in friendly standing. Just Mr. Knightley, an old family companion, at any point proposes she wants improvement. Emma has a preference for matchmaking. At the point when she meets pretty Harriet Smith, "the normal little girl of someone," Emma takes her up as both a companion and a reason. Under Emma's bearing, Harriet denies a proposition from a nearby rancher, Robert Martin, so Emma can design one from Mr. Elton, the vicar. Unfortunately, Mr. Elton misjudges the interests and accepts Emma is keen on him for herself. He can't be brought down to think about Harriet Smith. Things are additionally shaken by the re-visitation of the town by Jane Fairfax, niece to the talkative Miss Bates; and by a visit from Frank Churchill, stepson of Emma's ex-tutor. He and Jane are subtly drawn in, however as nobody knows this, it no affects the matchmaking free for all. The couples are ultimately figured out, if not as per Emma's arrangement, essentially agreeable to her. Uninterested in marriage at the book's beginning, she cheerfully connects with herself to Mr. Knightly before its end

A magnificently engaging story about growing up, Northanger Abbey is frequently alluded to as Jane Austen's "Gothic parody." Decrepit palaces, locked rooms, secretive chests, mysterious notes, and overbearing dads give the story an uncanny air, yet one with a strongly mocking turn.The story's far-fetched female protagonist is Catherine Morland, a naive seventeen-year-old girl from a nation parsonage. While putting in half a month in Bath with a family companion, Catherine meets and experiences passionate feelings for Henry Tilney, who welcomes her to visit his family home, Northanger Abbey. When there, Catherine, an incredible per user of Gothic thrill rides, lets the shadowy environment of the old house fill her brain with horrible doubts. What is the secret encompassing the passing of Henry's mom? Is the family disguising awful confidentiality inside the rich rooms of the Abbey? Might she at any point trust Henry, or would he say he is essential for an insidious trick? Catherine tracks down horrendous signs on the most mundane occasions until Henry convinces her to see the risk in mistaking life for craftsmanship.Executed with cheerful energy, Northanger Abbey is a carefree, yet unsentimental discourse on adoration and marriage.

27-year-old Anne Elliot is Austen's most grown-up female protagonist. Eight years before the story starts appropriately, she is cheerfully pledged to a marine official, Frederick Wentworth, however, she abruptly severs the commitment when convinced by her companion Lady Russell that such a match is contemptible. The separation produces in Anne a profound and enduring misgiving. When later Wentworth gets back from the ocean a rich and fruitful chief, he tracks down Anne's family near the precarious edge of monetary ruin and his sister an inhabitant in Kellynch Hall, the Elliot domain. All the strain of the novel spins around one inquiry: Will Anne and Wentworth be brought together in their adoration? Jane Austen once contrasted her composition with painting on a tad of ivory, 2 inches square. Per users of Persuasion will find that neither her expertise for fragile, amusing perceptions of friendly custom, love, and marriage nor her capacity to apply a sharp center focal point to English habits and ethics has abandoned her in her last completed work

The author of one of the greatest romance novels of all time, Pride and Prejudice, takes her readers on a satiric tour through England's history Written during Jane Austen's teenage years as part of her Juvenilia of the 1790s, The History of England mercilessly exploits the comedic potential of human foibles within British royalty. Filled with puns and parodies, the history begins with the reign of Henry IV and concludes with the death of Charles I more than two centuries later. Originally intending it for circulation and performance among family and friends, Jane also commissioned her sister Cassandra to provide illustrations to complement her signature wit and humor. This volume includes an informative introduction, background context such as family trees and personal letters, and extensive editorial commentary. Austen fans and history buffs are sure to delight in this work written by "a partial, prejudiced, and ignorant historian."

Jane Austen, Unabridged takes readers on a journey through the prolific author's life with private letters, unpublished works and facts no one knew about a woman who revolutionized the romance genre. Jane Austen is arguably one of the best English novelists of our time, known primarily for her six major novels, which interpret, critique and comment upon the British landed gentry at the end of the 18th century. Austen's plots often explore the dependence of women on marriage in the pursuit of favorable social standing and economic security. Her works critique the novels of sensibility of the second half of the 18th century and are part of the transition to 19th-century literary realism. Her use of biting irony, along with her realism, humor, and social commentary, have long earned her acclaim among critics, scholars, and popular audiences alike. This memoir of the late English novelists life includes never before seen teenage writings, letters to family members, a lost love and even three of her unpublished works such as Lady Susan, The Watsons and Sandition.

Jane Austen's letters afford a unique insight into the daily life of the novelist: intimate and gossipy, observant and informative--they read much like the novels themselves. They bring alive her family and friends, her surroundings and contemporary events, all with a freshness unparalleled in modern biographies. Most important, we recognize the unmistakable voice of the author of such novels as Pride and Prejudice and Emma. We see the shift in her writing from witty and amusing descriptions of the social life of town and country, to a thoughtful and constructive tone while writing about the business of literary composition. R.W. Chapman's ground-breaking edition of the collected letters first appeared in 1932, and a second edition followed twenty years later. A third edition, edited Deirdre Le Faye in 1997 added new material, re-ordered the letters into their correct chronological sequence, and provided discreet and full annotation to each letter, including its provenance, and information on the watermarks, postmarks, and other physical details of the manuscripts. This new fourth edition incorporates the findings of recent scholarship to further enrich our understanding of Austen and give us the fullest and most revealing view yet of her life and family. In addition, Le Faye has written a new preface, has amended and updated the biographical and topographical indexes, has introduced a new subject index, and had added the contents of the notes to the general index. Teachers, students, and fans of Jane Austen, at all levels, will find in these letters remarkable insight into one of the most popular novelists ever.

The novel tells the story of Fanny Price, starting when her overburdened family sends her at the age of ten to live in the household of her wealthy aunt and uncle and following her development into early adulthood. From early on critical interpretation has been diverse, differing particularly over the character of the heroine, Austen's views about theatrical performance and the centrality or otherwise of ordination and religion, and on the question of slavery. Some of these problems have been highlighted in the several later adaptations of the story for stage and screen.

Emma, is the fourth novel written by Jane Austen. It was published in three volumes in 1815. The novel is set in Highbury, England, in the early 19th century. It centres on Emma Woodhouse, an intelligent young woman whose misplaced confidence in her matchmaking abilities results in several romantic misadventures. Introduction of the character Emma Woodhouse in the novel is considered as among the most famous in the history of fiction.

The story concerns Anne Elliot, an Englishwoman of 27 years, whose family moves to lower their expenses and reduce their debt by renting their home to an Admiral and his wife. The wife's brother, Captain Frederick Wentworth, was engaged to Anne in 1806, but the engagement was broken when Anne was persuaded by her friends and family to end their relationship. Anne and Captain Wentworth, both single and unattached, meet again after a seven-year separation, setting the scene for many humorous encounters as well as a second, well-considered chance at love and marriage for Anne. The novel was well-received in the early 19th century, but its greater fame came later in the century and continued into the 20th and 21st centuries. Much scholarly debate on Austen's work has since been published. Anne Elliot is noteworthy among Austen's heroines for her relative maturity. As Persuasion was Austen's last completed work, it is accepted as her most maturely written novel, showing a refinement of literary conception indicative of a woman approaching 40 years of age. Her use of free indirect speech in narrative was in full evidence by 1816. Persuasion has been the subject of several adaptations, including four made-for-television adaptations, theatre productions, radio broadcasts, and other literary works.

Northanger Abbey is a coming-of-age novel and a satire of Gothic novels written by Jane Austen. Austen was also influenced by Charlotte Lennox's The Female Quixote (1752). Northanger Abbey was completed in 1803, the first of Austen's novels completed in full, but was published posthumously in 1817 with Persuasion. The story concerns Catherine Morland, the naïve young protagonist, and her journey to a better understanding of herself and of the world around her. How Catherine views the world has been distorted by her fondness for Gothic novels and an active imagination.

The novel follows the three Dashwood sisters as they must move with their widowed mother from the estate on which they grew up, Norland Park. Because Norland is passed down to John, the product of Mr. Dashwood's first marriage, and his young son, the four Dashwood women need to look for a new home. They have the opportunity to rent a modest home, Barton Cottage, on the property of a distant relative, Sir John Middleton. There Elinor and Marianne experience love, romance, and heartbreak. The novel is set in South West England, London, and Sussex, probably between 1792 and 1797. The novel, which sold out its first print run of 750 copies in the middle of 1813, marked a success for its author. It had a second print run later that year. It was the first Austen title to be republished in England after her death, and the first illustrated Austen book produced in Britain, in Richard Bentley's Standard Novels series of 1833. The novel has been in continuous publication since 1811, and has many times been illustrated, excerpted, abridged, and adapted for stage, film, and television.

The Letters of Jane Austen ;Selected from the compilation of her great nephew, Edward,Lord Bradbourne has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.