Bøker av Janet Nichols Lynch

Florence Price's life is usually summed up by a single accomplishment-as the first African American female composer to have a symphony performed by a major orchestra in the United States. In fact, she composed over three hundred compositions, including four symphonies, two violin concertos, a piano concerto, piano and organ solos, string quartets, choral works, and numerous art songs made famous by contralto Marian Anderson. Florence Price, born in Little Rock, Arkansas in 1887, began her studies under her music teacher mother. By age eighteen, she had earned two degrees from the New England Conservatory of Music. After a stint as the head of the music department at Clark Atlanta University in Atlanta, Georgia, she settled in Chicago where her career as a composer took off when she won first prize in the Wanamaker Competition for her Symphony No. 1 in E Minor. To pursue her career as a composer, Florence Price faced a daunting battle on three fronts. She was a woman in what was considered a man's profession. She was an American when Europeans were considered to be superior composers. The toughest battle was her race, during a time when racial discrimination was endemic. By combining traditional elements with African American folk songs, dance rhythms, spirituals, and jazz, Florence Price's music bursts onto the concert stage as truly American and uniquely her own.

The fourteen stories in Where Words Leave Off Music Begins dramatize ways in which music seizes peoples' lives and never lets go. In "Perfect Match" twice-divorced Bernadine seeks passion in piano playing. In "Recapitulation", while fleeing a peaceful anti-Nuke rally turned violent, Amelia reflects on her early years as a piano prodigy and contemplates what might have been. Chloe, in "Why I'm Calling 911", has put off her music career to raise her son Matthew but yearns for the work she has postponed. Nine-year-old Michael, "The Prodigy" is raised by working class, elderly parents who can't fathom his musical world. After two mental breakdowns and twenty years of retirement from the concert stage, Phyllis returns to the piano in quest of the quintessential "Tone". In seeking musical excellence, these characters experience frustration and disappointment, but also ebullient joy.