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  • av Janice Galloway
    151,-

    From the corner of a darkened room Joy Stone watches herself. As memories of the deaths of her lover and mother surface unbidden, life for Joy narrows - to negotiating each day, each encounter, each second; to finding the trick to keep living. Told with shattering clarity and wry wit, this is a Scottish classic fit for our time.

  • av Janice Galloway
    224,-

  • av Janice Galloway
    165,-

    The highly acclaimed short story collection by one of the foremost writers of her generation.

  • av Janice Galloway
    159,-

    One of our greatest contemporary authors writes about sex, school and adolescence in 1970s small-town Scotland.

  • av Janice Galloway
    165,-

  • av Janice Galloway
    225,-

    Comprising stories from her debut collection, Blood, and the critically acclaimed Where You Find It - this collection presents some of the best known and most loved works by one of Scotland's 'most gifted and original writers' (Times Literary Supplement).

  • av Janice Galloway
    247,-

    In her latest collection of stories, Janice Galloway turns her unflinching gaze on relationships: the struggle to love against the odds, the overpowering yearning to communicate, and the extraordinary epiphanies where the World falls away leaving only the lovers.

  • av Janice Galloway
    159,-

    Based on the life of Clara Schumann, this novel considers the place of love in a life of increasing isolation and alienation. Clara, herself a celebrated pianist, composer and teacher, was the wife of Robert Schumann, and cared for him through a series of crippling mental illnesses.

  • av Janice Galloway
    245,-

    Cassie and Rona. Two women on a driving holiday in Northern France. A caustic, coruscating and deeply funny account of morality, dysfunctional relationships and women abroad, Foreign Parts is that rare hybrid: a strikingly original novel about real life, told with accuracy, compassion and a truly saturnine delight.

  • av Janice Galloway
    247,-

    And at least two stories, 'Blood' itself and 'Fearless', will certainly end up in anthologies: not Best Scottish Writers, or Best Women Writers, but quite simply, Best' New Statesman and Society. 'I remember reading a story by Janice Galloway for the first time;

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