Bøker av Jarrod Tanny

Are there degrees of coincidence? Is it poor hygiene to "double dip" a chip? Is it appropriate to say "God bless you" to a woman who sneezes if her husband does not? If you named a kid Rasputin, do you think that would have a negative effect on his life? For nine seasons, the Seinfeld gang engaged in argument and debate over such weighty matters of etiquette, leaving no stone unturned, no double-dipped chip ignored, no exposed nipple on a greeting card unexamined. But Jerry, George, Elaine, and Kramer were hardly the first to do this. In fact, they built their comedy around the sort of discussions we can find in the greatest collection of texts in the Jewish religion: The Babylonian Talmud. Like the eminent Rabbis of ancient Israel and Babylon, the Seinfeld gang spent their days poring over the excruciating minutiae of every single event imaginable. Seinfeld is the Jewish Talmud of a new generation. Thus does Jarrod Tanny bring you the The Seinfeld Talmud - Seinfeld as analyzed by the Sages of the Near East who gave us the illustrious Talmud, which, depending on whom you ask, is either the most comprehensive body of Jewish law ever produced or thousands of pages about nothing. This parodic take on Seinfeld through the lens of Jewishness will appeal to Seinfeld aficionados and anyone interested in the remarkable role Jewish culture has played in shaping American entertainment. Come join the masters of Judaic Law on their quest to master Seinfeld's domain.

';Outstanding... A delightfully written work of serious scholarship.' Jewish Book World Old Odessa, on the Black Sea, gained notoriety as a legendary city of Jewish gangsters and swindlers, a frontier boomtown mythologized for the adventurers, criminals, and merrymakers who flocked there to seek easy wealth and lead lives of debauchery and excess. Odessa is also famed for the brand of Jewish humor brought there in the nineteenth century from the shtetls of Eastern Europe and that flourished throughout Soviet times. From a broad historical perspective, Jarrod Tanny examines the hybrid Judeo-Russian culture that emerged in Odessa in the nineteenth century and persisted through the Soviet era and beyond. The book shows how the art of eminent Soviet-era figures such as Isaac Babel, Il'ia Ilf, Evgenii Petrov, and Leonid Utesov grew out of the Odessa Russian-Jewish culture into which they were born and which shaped their lives. ';Traces the emergence, development, and persistence of the myth of Odessa as both Garden of Eden and Gomorrah... A joy to read.' Robert Weinberg, Swarthmore College