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This study offers an account of the way in which the genre of Victorian nonsense was constructed, and why such writers as Lewis Carroll and Edward Lear are of enduring significance to both philosophy and linguistics.
Lecercle draws on the resources of pragmatics, literary theory and the philosophy of language to propose a new theory of literary, but also of face-to-face, dialogue that charts the interaction between the five participants in the fields of dialogue and/or interpretation: author, reader, text, language and encyclopaedia.
Considers the 'strong readings' that Alain Badiou and Gilles Deleuze imposed on the texts they read. Why do philosophers read literature? How do they read it? Does their philosophy derive from their reading of literature? If so, to what extent? Anyone who reads contemporary European philosophers has to ask such questions. Lecercle demonstrates that philosophers need literature, as much as literary critics need philosophy: it is an exercise not in the philosophy of literature, where literature is a mere object of analysis, but in philosophy and literature, a heady and unusual mix.
The construction of a Marxist theory of language as a social, material and political phenomenon .
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