Bøker av Jean-Luc Nancy

A lyrical meditation on listening, this work examines sound in relation to the human body. It also explores the mystery of music and of its effects on the listener.

Abbiamo concepito il progetto di questo numero di Sciamiricerche all¿inizio dell¿estate 2020, un momento in cui i nostri vissuti erano carichi dell¿esperienza e delle implicazioni imposte dall¿emergenza ¿Covid¿, sollecitati a reagire ma anche disorientati da quotidiani interrogativi sulle nostre esistenze; e inevitabilmente sul senso del nostro quotidiano agire entro la dimensione estetica. La proposta giunta da Valentina Valentini di pensare a un numero di Sciami dedicato alla Luce è stata l¿occasione per riunire voci diverse, orchestrate su motivi consonanti. Le questioni chiamate in causa, sentite prima ancor che pensate, evidenziavano qualità sostanziali dell¿evento performativo, i suoi elementi imprescindibili: la condivisione di uno spazio fisico, il respiro comune di una collettività, la percezione e la sensorialità come ineludibili premesse di ogni evento spettacolare; a contrario, il momento faceva emergere punti critici di un sistema privo di equilibri e di strategie d¿orchestrazione, portava a riflettere sulla natura dei teatri¿

Jean-Luc Nancy and Irving Goh discuss how a deconstructive approach to sex helps us negotiate discourses about sex and reconsider our relations to ourselves and others through sex.

Sexistence develops a new philosophical account of sexuality that troubles our conceptions of existence.

Our contemporary challenge, according to the authors, is that a new world has quietly cropped up on us and is, in fact, already here. In this book, the authors invite us on an uncharted walk into barely known worlds when an everyday French idiom, "What's this world coming to?," is used to question our conventional thinking about the world.

In eleven talks originally broadcast on French public radio, this book offers a philosopher's account of some of the pressing questions and addresses issues within philosophical inquiry.

This analysis of art and its modes of existence by a contemporary French philosopher begins with an essay that introduces the principal concern sustained in the four succeeding ones.

"A leading philosopher argues that anti-Semitism is rooted in the structures of Western thought"--

What does it mean to judge when there is no general and universal norm to define what is right and what is wrong? Can laws be absent and is law always necessary?This is the first English translation published of Jean-Luc Nancy's acclaimed consideration of the law's most pervasive principles in the context of actual systems and contemporary institutions, power, norms, laws. In a world where it is impossible to imagine the realisation of an ideal of justice that corresponds to every person's ideal of justice, Nancy probes the limits of legal normativity. Moreover, the question is asked: how can legal normativity be legitimised? A legal order based on performativity and formal validity is questionable and other forces than juridical normativity are at the heart of Dies Irae. Such leads inevitably to the processes of inclusion and exclusion that characterise contemporary juridical systems and those issues of identity, hostility and self-representation central to contemporary political and legal debates.

This book, by one of the most innovative and challenging contemporary thinkers, rethinks community and the very idea of the social. Nancy's fundamental argument is that being is always "being with," that "I" is not prior to "we," that existence is essentially co-existence.

Suspended between likeness and strangeness, portraiture can identify an individual only at the moment of its advancementand withdrawal. Examining 36 portraits across two millennia, Nancy shows how, despite photograph's ubiquity, the forms of appearing that define the portraitcontinue to mark the bodies and representations that dominate our world.

How have we thought 'the body'? How can we think it anew? This title incorporates the body of mortal creatures, the body politic, the body of letters and of laws, and the 'mystical body of Christ'. It offers us an encyclopedia and a polemical program - reviewing classical takes on the "corpus" from Plato, Aristotle, and Saint Paul to Descartes.

What powers lie hidden in images? Nancy explores the complicated effects of the visual on culture, truth, and meaning. Writings on the power hidden in the depth of an image.

Expectation is a collection of critical texts on literature written between 1977 and 2012 and now made available for the first time in English.

Philosophy holds an ambivalent relation to the pleasures of intoxication, this excess that both fascinates and questions philosophy's sober ambitions for conceptual clarity and appropriate behavior. Displacing established dualities-mind and body, reason and desire, logic and eros-Nancy's subject becomes intoxicated: Ego sum, ego existo ebrius-I am, I exist-drunk.

Over thirty years after Maurice Blanchot writes The Unavowable Community-a book outlining a critical response to Jean-Luc Nancy's early proposal for thinking an "inoperative community"-The Disavowed Community offers a close reading of Blanchot's text.

The renowned philosopher contemplates the medium of drawing in ';a book full of dazzling insights, imaginative curves and provocative renewals' (Sarah Clift, University of King's College). In 2007, philosopher Jean-Luc Nancy curated an exhibition at the Museum of Fine Arts in Lyon. This book, originally written for that exhibition, explores the interplay between drawing and formviewing the act of drawing as a formative force. Recalling that the terms ';drawing' and ';design' were once used interchangeably, Nancy notes that drawing designates a design that remains without project, plan, or intention. His argument offers a way of rethinking a number of historical terms (sketch, draft, outline, plan, mark, notation), which includes rethinking drawing in its graphic, filmic, choreographic, poetic, melodic, and rhythmic senses. For Nancy, drawing resists any kind of closure, and therefore never resolves a tension specific to itself. Drawing allows the gesture of a desire that remains in excess of all knowledge to come to appearance. Situating drawing in these terms, Nancy engages a number of texts in which Freud addresses the force of desire in the rapport between aesthetic and sexual pleasure, texts that also turn around questions concerning form in its formation. Between sections of his text, Nancy includes a series of ';sketchbooks' on drawing, composed of quotations on art from different writers, artists, or philosophers.

Corpus II is a collection of recent essays by Jean-Luc Nancy dealing with embodiment, sexuality, pleasure and the crossing of borders and boundaries. It is both a celebration of our sexual existence and an unflinching philosophical reflection on all our ways of being together.

What does it mean to 'fall' asleep? Might there exist something like a 'reason' of sleep, a reason at work in its own form or modality, a modality of being in oneself, of return to oneself, without the waking 'self' that distinguishes 'I' from 'you' and from the world? This book attempts to answer these questions.

Celebrates the particular communication of thoughts that takes place by means of the business of writing, producing, and selling books. This book features a semiology of the cultural practice that begins with the character of the writer's voice and culminates in a customer's crossing the bookstore threshold, package under arm, on the way home.