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Writings by exhibition maker and writer Jens Hoffmann, charting a highly unique curatorial trajectory.This volume brings together a wide selection of writings by exhibition maker and writer Jens Hoffmann that outline his deep understanding of the interconnections among art, curating, theater, film, and literature. The nearly fifty texts include essays on artists, exhibitions, and curating; reviews of large-scale international group exhibitions; catalogue texts from exhibitions Hoffmann curated; and interviews and conversations with artists and other cultural practitioners. Collectively, these texts map the development of Hoffman's thoughts and agenda, articulating a highly unique curatorial trajectory.
This publication documents the exhibition "United States of Latin America," held at the Museum of Contemporary Art Detroit (MOCAD), in collaboration with the Kadist Art Foundation. Bringing together their shared and ongoing engagement with artistic practices from Latin America, Jens Hoffmann and Pablo León de la Barra have assembled one of the most significant contemporary survey's of recent art from the region. Hoffmann and de la Barra's project draws attention not only to the geographic territories of Latin America itself, but also to its relation within the wider scope of the Americas, and its position in a global artistic context. This book offers a framework for critical insight into artworks dealing with crucial social, industrial, or ecological concerns, and also for interrogating the very categories and terminologies used to construct the notion of Latin America. This catalogue includes a conversation between Stefan Benchoam, Fernanda Brenner, Eduardo Carrera, Camila Marambio, and Marina Reyes Franco (moderated by Heidi Rabben), a glossary, a reflective essay by Hoffmann "after the fact," and images from the exhibition.Copublished with Museum of Contemporary Art Detroit and Kadist Art FoundationContributorsStefan Benchoam, Fernanda Brenner, Eduardo Carrera, Jens Hoffmann, Pablo Léon de la Barra, Camila Marambio, Heidi Rabben, Marina Reyes Franco
Sonic Rebellion: Music as Resistance is inspired by the vital history of music in Detroit and the legacy of the 1967 Detroit Rebellion. It connects Detroit's musical and political histories with a wide range of artworks, music ephemera and artifacts to offer a listening space for the rebellion's reverberations. This historic event is related to more recent social movements, from Occupy to Black Lives Matter, illustrating threads between past protests and the unresolved racial politics in the United States today. One major thread is the role of music as a catalyst for social change and empowerment. Artists include Andrea Bowers, Tim Davis, Emory Douglas, Juliana Huxtable, Rashid Johnson, Glenn Ligon, Leni Sinclair and Mickalene Thomas.
An unprecedented look at the wide-ranging artistic work of one of the 20th century's most significant landscape architects
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