Bøker av Jeremy Dibble

Substantially revised and expanded edition that sheds new light on Stanford's career as composer, conductor and teacher, as well as promoter of opera in English and arranger of Irish folk music.

This book examines Delius's individual approaches to genre, form, harmony, orchestration and literary texts which gave the composer's musical style such a unique voice.

This collection provides an in-depth look at musical criticism between the mid-nineteenth and the mid-twentieth century.British music between the mid-nineteenth and the mid-twentieth century reflected changes and developments in society, education, philosophy, aesthetics, politics and the upheaval of wars, often signifying a distinctively British national history. All of these changes informed the published work of contemporary music critics. This collection provides an in-depth look at musical criticism during this period. It focusses on major figures such as Grove,Parry, Shaw, Dent, Newman, Heseltine, Vaughan Williams, Dyson, Lambert and Keller, yet does not neglect less influential but nevertheless significant critics. Sometimes a seminal work forms the subject of investigation; in otherchapters, a writer's particular stance is highlighted. Further contributions closely analyse the now famous polemics by Shaw, Heseltine and Lambert. The book covers a range of themes from the historical, scientific and philosophical to matters of repertoire, taste, interdisciplinary influence, musical democratisation and analysis. It will be of interest to scholars and students of nineteenth- and early twentieth-century British music and music in Britain as well as to music enthusiasts attracted to standard works of popular music criticism. JEREMY DIBBLE is Professor of Music at Durham University. JULIAN HORTON is Professor of Music at Durham University.Contributors: KAREN ARRANDALE, SEAMAS DE BARRA, PHILIP ROSS BULLOCK, JONATHAN CLINCH, SARAH COLLINS, JEREMY DIBBLE, JULIAN HORTON, PETER HORTON, CHRISTOPHER MARK, AIDAN J. THOMSON, PAUL WATT, HARRY WHITE, BENNETT ZON, PATRICKZUK

This comprehensive re-evaluation of John Stainer's life and work demonstrates that there was a great deal more to admire beyond The Crucifixion.

An in-depth study of the life of Sir Hamilton Harty (1879-1941), pianist, composer and conductor of the Halle Orchestra, who arguably made Manchester the most important focus for music in Britain in his day.Sir Hamilton Harty (1879-1941) is best known as the conductor of the Halle Orchestra, who arguably made Manchester the most important focus for music in Britain in his day. This book chronicles and analyses Harty's illustrious career, from his establishment as London's premiere accompanist in 1901 to his years as a conductor between 1910 and 1933, first with the LSO and then with the Halle, to his American tours of the 1930s. Tragically, Harty died from cancer in 1941 at the age of only 61. This book also looks at Harty's life as a composer of orchestral and chamber works and songs, notably before the First World War. Although Harty's music cleaved strongly to a late nineteenth-century musical language, he was profoundly influenced during his days in Ulster and Dublin by the Irish literary revival. A great exponent of Mozart and especially Berlioz, Harty was also a keen exponent of British music and an active supporter of American composers such as Gershwin. Harty's role in the exposition of standard and new repertoire and his relationship with contemporary composers and performers are also examined, against the perspective of other important major British conductors such as Sir Thomas Beecham, Malcolm Sargent and Sir Henry Wood. Additionally, the book analyses the debates Harty provoked on the subjects of women orchestral players, jazz, modernism, and the music of Berlioz. JEREMY DIBBLE is Professor of Music at Durham University and author of John Stainer: A Life in Music(The Boydell Press, 2007) and monographs on C. Hubert H. Parry, Charles Villiers Stanford and Michele Esposito.