Bøker av Jerome Silbergeld

Argues that American audiences have been exposed only to a narrow range of what is available - with the majority of exposure having been given to avant-garde, experimental, or politically charged art. This book discusses contemporary Chinese art in a range of styles and subject matter and substantially expands on our understanding of this work.

Since 1984, Chinese cinema has been the most dramatic new entry on the international film scene. This text looks at contemporary Chinese cinema as a visual art and illustrates the many ways it has been shaped by centuries of Chinese visual and cultural traditions. Among its many concerns are the role of female gender in Chinese cinema, the use of allegory, the strategies of filmmakers in comping with state censorship, the translation of Chinese novels into film, the continuing attachment of filmmakers to melodramatic form, and the cinematic critiques of Maoism and post-Maoist Chinese culture. Illustrated with Chinese paintings as well as scenes from such internationally acclaimed films as "e;Yellow Earth"e;, "e;Red Sorghum"e;, "e;Raise the Red Lantern"e; and "e;Farewell My Concubine"e;, Jerome Silbergeld reveals a cinematic form that is at once excitingly new and yet deeply embedded in traditional Chinese visual culture.

Examines three films concerned with the issues of developing globalization and the defence of local identity and culture. This book explores the visuality of these films, taking account of the film makers' reliance on the metaphoric image in skirting Chinese film censorship. It includes a DVD, containing key scenes from each film.