Bøker av Jerry White

The loss of a loved one, a painful divorce, or a serious physical injury - we must all, at one point, face tragedy - unavoidable moments that divide our lives into 'before' and 'after'. This book outlines the author's successful five-step program for coping with life's worst, and for turning tragedy into triumph.

This is a collection of writings by the giant of experimental cinema, Stan Brakhage, that shows him in a completely new light, as part of world cinema. For the duration of the 1980s, Brakhage contributed to the Boulder literary magazine Rolling Stock , mostly publishing reports from the Telluride Film Festival. These reports show that Brakhage was keenly interested in world cinema, anxious to meet and dialogue with filmmakers of many different stripes. The book also contains substantial discussion of Brakhage's work in light of the filmmakers he encountered at Telluride and discussed in Rolling Stock . Long chapters are given over to Soviet filmmakers such as Andrei Tarkovsky, Larissa Shepitko, and Sergei Parajanov, as well as the German filmmaker Hans-J"e;rgen Syberberg. Brakhage was a keen viewer of these filmmakers and their contemporaries, both at Telluride and in his role as teacher at the University of Colorado, and Stan Brakhage and Rolling Stock attempts to place his work alongside theirs and thus reclaim him for world cinema. The book's appendices reprint letters Brakhage wrote to Stella Pence (Telluride's co-founder and managing director), as well as summaries of his work for Telluride and a brace of difficult-to-find reviews.

London in the eighteenth century was very much a new city, risen from the ashes of the Great Fire.

Jerry White's London in the Twentieth Century, Winner of the Wolfson Prize, is a masterful account of the city's most tumultuous century by its leading expert. In 1901 no other city matched London in size, wealth and grandeur.

Jerry White's London in the Nineteenth Century is the richest and most absorbing account of the city's greatest century by its leading expert. London in the nineteenth century was the greatest city mankind had ever seen.

But when your creditors lost their patience, you might be thrown into one of the capital's most notorious jails: the Marshalsea Debtors' Prison. In Mansions of Misery, acclaimed chronicler of the capital Jerry White introduces us to the Marshalsea's unfortunate prisoners - rich and poor;

Jean-Luc Godard and Anne-Marie Mieville are among the most important postwar filmmakers; they have worked across forms, across media, and across countries. This book examines the way they expanded the possibilities of cinema by using cutting-edge video equipment in a constant search for a new kind of filmmaking.

London becomes one of the greatest killing machines in human history. Hundreds of thousands of soldiers are brought back to be treated in hospitals and millions of shells are produced in its factories. This book presents the determination of Londoners to get on with their lives in the backdrop of a war.

Presents the discussions of the films made by British novelist John Berger and Swiss film director Alain Tanner. This book argues that Berger and Tanners work is preoccupied with ideas that were both central to the Enlightenment and at the same time characteristically Swiss.

They were built for poor but respectable Jewish immigrants from Eastern Europe, and the community which put down roots there was to be characteristic of the East End Jewish working class in its formative years.

From the 1880s to the Second World War, Campbell Road, Finsbury Park (known as Campbell Bunk), had a notorious reputation for violence, for breeding thieves and prostitutes, and for an enthusiastic disregard for law and order.