Bøker av Johann Sebastian Bach

Reproduktion des Originals.

There have been several orchesatrations of Bach's famous organ masterwork over the years, including some by notable conductors such as Leopold Stokowski, Eugene Ormandy, Rene Leibowitz, Andrew Davis plus a couple by comoposers: Ottorino Respighi and the one offered here by the Russian Aleksandr Gedike. The exact date of Gedike's orchestration is unknown but could date from before the Russian revolution of 1917 which would make it one of the earliest orchestral settings. It's a splendid example of Gedike's typically Russian orchestrational style which employs the full compliment of orchestral forces. The score offered here is a newly engraved edition prepared by Richard W. Sargeant, Jr. IMSLP page Wikipedia

Bach composed the first version of this piece in 1723 using the key of E-flat major for the Christmas Vespers in Leipzig which contained several Christmas texts. Over the years he removed the Christmas-specific texts to make it suitable for year-round performance and transposied it to D major, providing better sonority for the three trumpets, which is the standard version of the work encountered today. The Magnificat is divided into twelve parts which can be grouped into three movements, each beginning with an aria and completed by the choir. The four movements from the original version have been transposed to D major and inserted in their original order for those wishing to have the omitted Christmas texts. This newly engraved study score is based upon the composer's manuscript and other authoritative sources.

Bach composed the first version of this piece in 1723 using the key of E-flat major for the Christmas Vespers in Leipzig which contained several Christmas texts. Over the years he removed the Christmas-specific texts to make it suitable for year-round performance, and transposied it to D major, providing better sonority for the three trumpets, which is the standard version of the work encountered today. The Magnificat is divided into twelve parts which can be grouped into three movements, each beginning with an aria and completed by the choir. The four movements from the original version have been transposed to D major and inserted in their original order for those wishing to have the omitted Christmas texts.This new study score is a digitally enhanced reissue of the full score edited by Alfred Durr for the Neue Bach Ausgabe in 1956. Unlike so many of the on-demand scores now available, this one comes with all the pages and the images have been thoroughly checked to make sure it is readable. The score is beautifully printed at a readable size with a quality cover. Matching full score and orchestral parts are also available from Serenissima Music (93339).

Composed for Reformation Day (October 31) in 1725, this cantata was re-orchestrated for a performance given five years later. With its colorful orchestration and musical allusions to Luther's nailing of the 98 theses to the back door of the Schlosskirche in Wittenberg, the cantata has remained a popular one ever since its first publication in 1870.This new vocal score is a digitally restored reprint of the one first issued in the early 20th century by G. Schirmer, New York, with Henry Sandwith Drinker's classic English translation beneath the original German text. The keyboard reduction by Bernhard Todt is a classic in its own right, based upon the renowned Bach Gesellschaft Ausgabe. Matching full score and orchestral parts are also available from Serenissima Music (92514).

Books I and II of this traditional edition of Musical Classics have been combined in an affordable new volume. An excellent resource for Late Elementary to Early Intermediate pianists.

Charles Sanford Terry (1864-1936), Historian and Bach Scholar.He studied at St. Pauls Cathedral Choir School as a solo boy, King's College and Lancing. He studied history at Cambridge and lectured in history at Durham College of Science and at Aberdeen. He spent much of his life devoted to Music and to Bach in particular. He started choral societies in both Newcastle and Durham. He wrote extensively on Bach. Walter Emery said that his biography of Bach was "the only one that is both detailed and readable". I have a theory that it is easier to read books by musicians who were trained in English or history.