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An extensive set of sculptures and original photos by John Chamberlain show his lifelong exploration and experimentation around coloured car body parts and the illusion of movement in space.
The first publication of the unknown poetry of a major twentieth-century sculptorIn 1955, long before he became famous for his abstract metal sculptures, John Chamberlain lived at Black Mountain College, writing poetry alongside Robert Creeley, Robert Duncan, and Charles Olson. By the time he moved to New York City in 1956 and began to develop his unique sculptural style, Chamberlain had completed a series of poems with marginal comments by Olson and himself, but the work remained unpublished and unknown-until now. In Black Mountain Chamberlain, Julie Sylvester presents a facsimile of this fascinating typescript along with an introduction based on interviews conducted with Chamberlain in the 1980s, conversations in which he described the strong connections between the poems and his later work.At first glance, Chamberlain's delicate and quiet poems appear to be the antithesis of his bold and brash sculpture. But in the introduction Chamberlain says that in fact the way he made poems at Black Mountain influenced the way he made sculptures throughout his career: "It's actually doing things in the same way, with words or with metal. It's all in the fit."Beautifully produced, Black Mountain Chamberlain reveals a remarkable and unexpected new side of an important twentieth-century artist.Distributed for Edition Julie Sylvester
Jonathan, Luke, Guy and Fiona are in Prague filming the Autumn Jazz Festival. When Fiona witnesses a man suspiciously filming a tram, she and the crew begin to uncover a Jihadist plot to bomb a symbol of the Czech State. The situation becomes a crisis when Fiona disappears. Brother Ian arrives from London and a desperate search is launched. Ultimately, they find themselves on the Ol¿anská tram in a frantic race against time to rescue Fiona and save the city as they travel to a deadly rendezvous.
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