Bøker av John Donne

A scholarly edition of satires, epigrams and verse letters by John Donne. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

John Donne (1572-1631) forfeited his Parliamentary seat and was briefly imprisoned when his secret marriage to Ann More was uncovered in 1601. He spent the subsequent decade in poverty, trying to rehabilitate his reputation. He entered the Church in 1615, and become Dean of St Paul's. His first volume of poetry was published posthumously in 1633.In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to some of the greatest poets of our literature.

Regarded by many as the greatest of the Metaphysical poets, John Donne (1572-1631) was also among the most intriguing figures of the Elizabethan age. A sensualist who composed erotic and playful love poetry in his youth, he was raised a Catholic but later became one of the most admired Protestant preachers of his time. The Selected Poems reflects this wide diversity, and includes his youthful Songs and Sonnets, epigrams, elegies, letters, satires, and the profoundly moving Divine Poems composed towards the end of his life. From joyful poems such as 'The Flea', which transforms the image of a louse into something marvellous, to the intimate and intense Holy Sonnets, Donne breathed new vigour into poetry by drawing lucid and often startling metaphors from the world in which he lived. His poems remain among the most passionate, profound and spiritual in the English language.

This Modern Library edition contains all of John Donne's great metaphysical love poetry. Here are such well-known songs and sonnets as "A Valediction: Forbidding Mourning," "The Extasie," and "A Nocturnall Upon S. Lucies Day," along with the love elegies "Jealosie," "His Parting From Her," and "To His Mistris Going to Bed." Presented as well are Donne's satires, epigrams, verse letters, and holy sonnets, along with his most ambitious and important poems, the Anniversaries. In addition, there is a generous sampling of Donne's prose, including many of his private letters; Ignatius His Conclave, a satiric onslaught on the Jesuits; excerpts from Biathanatos, his celebrated defense of suicide; and his most famous sermons, concluding with the final "Death's Duell." "We have only to read [Donne]," wrote Virginia Woolf, "to submit to the sound of that passionate and penetrating voice, and his figure rises again across the waste of the years more erect, more imperious, more inscrutable than any of his time."

One of John Donne's major prose works, Devotions speaks today for the philosophical mind such as it never has before, giving its readers exactly what Donne wished to give them: an understanding of their moral predicament in philosophical adversity.

The major seventeenth-century English poet between Shakespeare and Milton, Donne is chiefly celebrated as a love poet. All these genres are represented in this volume, together with a selection from his prayers, letters and sermons, presenting a complete portrait of a great poet an an extraordinary man.

A scholarly edition of elegies and songs by John Donne. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

John Donne's sense of form and arrangement, his psychological insight, his differences of mood and emphasis and his religious fervour should make this selection of ten sermons particularly interesting to the attentive reader familiar with Donne's poetry.

No poet has been more wilfully contradictory than John Donne, whose works forge unforgettable connections between extremes of passion and mental energy. From satire to tender elegy, from sacred devotion to lust, he conveys an astonishing range of emotions and poetic moods. Constant in his work, however, is an intensity of feeling and expression and complexity of argument that is as evident in religious meditations such as 'Good Friday 1613. Riding Westward' as it is in secular love poems such as 'The Sun Rising' or 'The Flea'. 'The intricacy and subtlety of his imagination are the length and depth of the furrow made by his passion,' wrote Yeats, pinpointing the unique genius of a poet who combined ardour and intellect in equal measure.