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For the last fifteen years, if a novel was published, John Freeman has been there to greet it. As a critic for more than two hundred newspapers worldwide, he has reviewed thousands of books and interviewed scores of writers, and in How to Read a Novelist, he shares with us what he has learned.From such international stars as Doris Lessing, Haruki Murakami, Salman Rushdie and Mo Yan; to British talents including Ian McEwan, Jim Crace, A. S. Byatt and Alan Hollinghurst; American masters such as Don DeLillo, Norman Mailer, Toni Morrison and Philip Roth; to the new guard of Jennifer Egan, Junot D az, Dave Eggers and Jonathan Franzen Freeman has talked to everyone.How to Read a Novelist is essential reading for every aspiring writer and engaged reader; the perfect companion for anyone who's ever curled up with a novel and wanted to know a bit more about the person who made that moment possible.
Tracing the Footprints is aimed at students, teachers, practitioners and lecturers involved in the documentation of practice. What the book demonstrates is that theatre making is not just one process buy many; all linked, interwoven, impossible to disentangle.
Written from various perspectives-international actors, directors, playwrights, academics, dancers, and artists-this book examines and celebrates 14 theater events from a dozen countries. As it makes a case for what makes certain theater productions great, this record also offers examples of writing about theater that imbues the analysis with emotion and documentation. From Peter Brook's King Lear of 1962 through 2010's Oberammergau Passionsspiele, the performances described are seminal works indeed.
As a major contribution to the field of postgraduate activity in drama, theatre, and performance, this resource identifies the essential characteristics of practice-based research across a range of countries, contexts, forms, and applications.
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