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Hope lies in our richness, in the joy of our collective creativity. But that richness exists in the peculiar form of money. The fact that we relate to on another through money causes tremendous social pain and destruction and is dragging us through pandemics and war towards extinction.Richness against money: this battle will decide the future of humanity. If we cannot emancipate richness from money-capital-profit, there is probably no hope. Money seems invincible but the constant expansion of debt shows that its rule is fragile. The fictitious expansion of money through debt is driven by fear, fear of us, fear of the rabble. Money contains, but richness overflows.In this final part of his ground-breaking trilogy, John Holloway expertly fuses anti-capitalism and anti-identitarianism, and brings hope into the critique of political economy and revolutionary theory, challenging us to find hope within ourselves and channel it into a dignified, revolutionary rage.
We generally experience overseas military operations in real time through the media of newspaper and television news accounts. These reports are generally superficial sketches of the action and rarely reveal the depth of the drama unfolding on the ground.This novel tells the story of Marines in combatΓÇòthe comradery, humor, and sacrifice of the men on the ground thousands of miles from home. You go with the Marines out on the ship, ashore for the invasion of Grenada (the last combat of the Cold War), and then on to Beirut where the Marines fight Muslim militia (the first combat of the War on Terror).Throughout, newspaper excerpts track events that provide the setting of this fictional story. But this fictional story is framed by real events, including true accounts of the terrorist attack on the Marine headquarters in Beirut and the coup in Grenada that triggered the invasion. In all, this story shows the reader what it was like to be there.
In this 1979 book, Professor John Holloway presents a collection of essays that evolved largely by allowing broad mathematical concepts to suggest original lines of argument in the critical analysis of narrative structure. He devotes attention to many authors including Boccaccio, Racine, George Eliot, Dostoevsky, Chekhov, and Henry James, as well as more recent English novelists.
In this 1993 book, John Holloway explores the radical change in the very nature of individual consciousness over the last century. He traces a crucial shift from an 'Apollonian' ideal of human involvement in the widest range of experience to a narrower and less integrated engagement with the world.
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