Bøker av John MacKay

The bond between a mother and her child is the strongest in the natural world. So why would a young woman, dreaming of America, throw her newborn baby into the waves of the wild Atlantic ocean? Life in the Scottish Hebrides can be harsh - 'The Edge of the World' some call it. For Kirsty MacLeod, the love of Murdo promises a new life away from the scrape of the land and the repression of the church. But the Great War looms and the villages hold a grand Road Dance to send their young men off to battle. As the dancers swirl and sup, Kirsty is overpowered and raped by an unknown assailant. She hides her dark secret, fearful of what it will mean for her and the baby she is carrying. Only the embittered doctor, a man with a cold wife and a colder bed, suspects. On a fateful day of surging seas and swelling pain Kirsty learns that her love will never be back. Now she must make her choice and it is no choice at all. And the hunt for the baby's mother and his killer become one and the same.

A man tries to build for his future by reconnecting with his past, leaving behind the ruins of the life he has lived. Iain Martin hopes that by returning to his Hebridean roots and embarking on a quest to reconstruct the ancient family home, he might find new purpose. But then he uncovers a secret from the past.

The most extensive study of the life and corpus of any Russian or Soviet filmmaker, this book reinserts Dziga Vertov's films into the complex epoch in which he worked, the theoretical debates in which he participated, and the reception his writings and films have generated.

As a young reporter John MacKay took the first calls on the Lockerbie Bombing. As a news anchor he conducted the final TV interviews of the Yes and No campaigns in Scotland's Referendum. His journey in journalism has taken him to the key events through the most dramatic decades of Scotland's peacetime history. Using contemporary scripts, transcripts of significant interviews, diaries and recollections, he charts Scotland's transformation as a society and as a nation.

When Cal MacCarl gets a phone call to his bachelor flat in Glasgow asking him to come to the bedside of his Aunt Mary, dying miles away on the Isle of Lewis, he embarks on a journey of discovery. With both his parents dead, his Aunt Mary is his only remaining blood link. When she goes he will be the last of the family line and he couldn't care less. In the days between his aunt's death and funeral he is drawn into the role of genealogy detective. In a place where everyone knows everything about everybody, Cal finds that secrets are buried deep and begins to understand that Aunt Mary was not the woman he knew and he might not be the person he thought he was. REVIEWS: 'Where MacKay differs from most other Hebridean-based novels is in his obvious research into the geography, and meticulous background into island traditions and cultures.' THE STORNOWAY GAZETTE. 'The Hebridean scenes are powerful.' THE SUNDAY HERALD. 'There is a tightly plotted story here, together with some lovely details of remote island life.' THE INDEPENDENT' A Strong modern story of personal conflict' NORTHWORDS NOWBACK COVER: The call came from a place far away where the dark was deep and the only sound was the fading breath of a woman on the edge of eternity. The summons to the bedside of his dying aunt drags Cal MacCarl away from the blur of city life to the islands where time turns slowly and tradition endures. He is striving for the urban dream of the luxury apartment and the prestige car and has shed all of his past to get there. Aunt Mary is his only remaining blood link. She comes from the past. She still knows him as Calum. When she passes he will be the last of the family line. But for Cal, family and history are just bonds to tie him down. Reluctantly embarking on a journey of duty, Cal finds himself drawn into the role of genealogy detective and discovers secrets which are buried deep. He begins to understand that Mary was not the woman he thought he knew and the secret she kept hidden for so long means he might not be who he thought he was.