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A timeless allegory about a woman's spiritual journey, inspired by John Bunyan's classic work 'The Pilgrim's Progress'. Contains valuable insights for readers of all backgrounds and beliefs. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Using the great south-Italian monastery of San Vincenzo al Volturno, one of the best preserved monasteries of the earliest Middle Ages, as a case-study and heuristic paradigm, John Mitchell has engaged in a wide-ranging examination of the ways in which visual culture was developed and deployed by ambitious states and institutions in early medieval Europe. The present volume includes studies on the cultural dynamics of Italy and its contribution to the visual complexion of Europe in the period, as well as essays on many aspects of the artistic culture of San Vincenzo, including a series of papers on the display of script in the physical fabric of the monastery and the prominent role it played in its self-image.
Elder Mitchell is a native of Cleveland Ohio, and proud product of the Cleveland Public School System. This includes being a student, a teacher, a counselor and an administrator. He has been teaching African music and performing arts to people of all ages for over twenty-five years. The inspiration for this book comes from his studies and performances with many great African Drum Masters, including Papa Assane M'Baye and Alassane Sarr of Senegal, West Africa.Elder Mitchell along with Paul Assegal (BabaOni Lu) are cofounders of the Passages African Drum Youth Ensemble. This Ensemble is based out of Cleveland Ohio and has performed at many local and regional events, as well as toured nationally.In addition to his ongoing teaching and performing schedule, he served as the African Drum consultant for the historic African American Karamu Theatre's recent productions of the Colored Museum, God's Trombones and Ruined. He was also music director for the Karamu special presentation during Cleveland's first annual Ingenuity Festival in 2005.The purpose of the book is to introduce a systematic and easy approach for learning basic African rhythm patterns to beginners. The end goal being to help the individual student learn the rudiments of African drumming within the context of a larger drum ensemble.
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